Really proud of my Arrow recap from last week (episode 4.04 “Beyond Redemption”) because I combined it with my current Hamilton the Musical obsession. There are so many references to “The Room Where It Happens” and I didn’t even force it!
The #HamiltunesWritingChallenge encourages Hamilton obsessed writers to include as many lyrics from ONE Hamilton song in an essay not about the man or the musical as possible. I totally made it up and the rules are fluid, but I rose to my own challenge.
Click the link for my thoughts on an awesome episode of Arrow, links to interviews with episode director Lexi Alexander, and, of course, the song this recap inspired. Enter the room where it happens: NOC Recaps Arrow: The Room Where it Happens | thenerdsofcolor
ALSO KNOWN AS THAT TIME GRANT GUSTIN READ OUR MVPS.
First, he simply replied “thank you” to our MVP post on Twitter.
THEN, THE NEXT DAY, he quote tweeted it. As in more than 12 hours later. As in he kept it open, read it, and then decided to SHARE IT AGAIN. We’re all freaking out totally calm. NBD. The ladies over on Just About Write are all lovely and we’re totally fine. Calm. Maxin’ and chillaxin’ all cool. WE’RE TOTALLY FREAKING OUT. What a wonderful Monday. Grant Gustin is a kind hearted, excellently read (;-)) , real life superhero.
I’m done flailing. Here’s my bit on Grant/Nora below. Click through for more on Grant/Joe and Grant/Henry.
Connie’s MVP: Grant Gustin as Barry Allen (The Flash)
Why he’s the MVP: I’m gonna get personal for a second. My mother died when I was a baby. Too young, really, for me to even remember her. I’ve lived a perfectly lovely life with my grandmother and the other family members who made sure that I was loved and taken care of. But there’s always something in you that wonders what your life would be like if your parent was still around. Even if you think your life would be drastically different, there is always that what-if. Barry spends the episode grappling with the decision to make his what-if a reality.And while we all considered it ridiculous that he’d want to change things because we, as pop culture enthusiasts, know how time travel works (and how it goes wrong), we’re still devastated when Future Barry tells Our Barry not to help Nora and he watches her final moments. Grant handles this moment with all the care it deserves—not that there was little doubt. Everything about his moment in the past is precious. From his realization that he really did it and the moment of hesitation when his future self told him not to interfere to the way he hid in his room as Reverse Flash stabbed Nora in the heart and the moment he realizes this is his chance to say goodbye.
Grant floors me with his performance as he sits by Nora. He’s barely holding it together and he tries so hard to just be The Flash, but he’s never really been good at that. The Flash has always been Barry (compared to how, for the most part, The Arrow is not Oliver Queen). He takes off his hood and she knows before he even says anything: “You look just like my father.” The freedom he feels in this moment, even in his despair, is so apparent. He’s never been very secretive about his supposed secret identity, but to be able to tell his mother… that’s something he’s probably always wished she could know. That he was a something special.
“I got a second chance to come back here and… tell you that I’m okay.”
There’s this little thing Grant does, as Nora says goodbye, where he hardens his face, like he’s confidently letting her go. Then she exhales and he loses it once again, mourning both her life and the alternate timeline he doesn’t get to create. I love how The Flash showcases the emotional depth of superheroes without it being perceived as hokey (compare to the memes of Tobey Maguire crying as Spider-Man). That’s all Grant Gustin. I dare you to watch that scene without at least a prickle of a tear in your eye or some serious tugging at your heartstrings.
The Arrow season 3 finale finally gets us out of the Ra’s al Ghul arc that has been killing the shows cred with fans. Now that we’re moving on, hopefully season 4 will be better. That said, this episode splinters our main characters that could lead to interesting places come season 4. I’m also proud of an Aladdin joke and a Captain Planet joke that you should click-through to enjoy in its full glory.
I did THREE recaps last week, all for my friends over at The Nerds of Color! I might be a little insane. If you watch Game of Thrones, iZombie, or Arrow, I’ve got recaps for you! (I feel like a dude with a trenchcoat on the train selling watches.)
I connect the major stories of this week’s Game of Thrones to find the common thread: everyone has lost control of their source of power and now they need to rein it in. Daenarys and her dragons, Tyrion and Jon and their compassion, and Brienne’s loyalty have gotten them this far but are now getting them into trouble they need to get out of. Clearly this is what we should expect from season five.
Over on my iZombie recap, I care less about the case of the week and more about knowing more about Ravi. Also, I question why the zombie of color on the show don’t change when the Liv and the other caucasian zombies do. Have they just not figured it out yet?
Finally, on Arrow, I predicted half of what happened and was shocked (and pleasantly surprised) by the other half. Join me in pouring out a little liquor (or sparkling grape) for our absent soldier from Team Arrow.
Soon I’ll have an Orphan Black post or two to share with you and as always, check out my TV MVPs for the week over on Just About Write!
Well. That happened. This week’s Arrow threatens to turn the show in a whole new direction. I can’t even begin to guess where they take things next.
Getting to the episode itself, after watching it, I (and trusty Flarrow sidekick Christelle) went back to see a Facebook post Stephen Amell put up earlier in the week to describe the episode.
I’ve been slacking on the #Clicks lately, I know. I’ve been either writing elsewhere, trying to finish my spec script, or watching Pulp Fiction for the first time. Also, haven’t found that many worthy articles. But, here are a few things, including some shameless self-promotion. This just in! The Emmy’s have cleaned-up their category rules: comedy’s are now defined as series 30 minutes or less (blocking shows like Orange is the New Black and Jane the Virgin from being nom’ed in the Comedy category), but have also expanded categories selections from 5 to 7 nominees to make room for the crowding. As James Poniewozik said,
<blockquote class=”twitter-tweet” lang=”en”>
Appreciate Emmys trying to clarify, but real issue is a lot of best TV today is neither strictly drama/comedy http://t.co/RmlLrEP8ZD
— James Poniewozik (@poniewozik) February 20, 2015
There simply just needs to be a dramedy category (adding two slots per category basically gives Dramedy 4 slots if you just include Best Comedy/Drama. Instead of squeezing everyone between two, spread the love between three!), as I explain here: The Emmys Need New Categories. The article also says that “guest” stars who are in more than 50% of the series episodes are no longer eligible (which, though I love her, is how Uzo Aduba won for OitNB. Not fair to actual guest actors and not fair to her for not being allowed to submit for supporting actor!). This LA Times article discusses how the diverse TV shows this year—and their phenomenal ratings—means that people are finally seeing that black shows (by nature of the shows presented) and diverse casts are winning this year. From Scandal beginning the wave to How to Get Away with Murder, Empire, and Black-ish all seeing increases—some record breaking—in their already high, premiere ratings, does this mean execs are finally seeing the value in diverse content? I surely hope so. And as much as I love Shonda Rhimes, I hope she is paving the way for more opportunities from other people of color and that ABC in particular aren’t just going to continue to default to her for their diverse offerings. Follow her example and find others to nurture and support and give their own platform. Though written before Fresh Off the Boat‘s premiere, I know that show also has premiered with fantastic numbers that I see increasing when competing time slot shows Parks and Recreation is over and The Flash is on hiatus for a month. The Dangers of Binge Watching. Loved this humorous take on how addicting marathoning and bingeing can be. We’ve all been there… Binge Hangover.
<iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/ohtRFAat-WM” frameborder=”0″ allowfullscreen> I wrote ‘In Defence of Felicity‘ because of an article that boiled her arc on this season’s Arrow down to being “a woman scorned.” The author seemed upset that her writing had reduced her, but I felt that the post reduced her and didn’t see that there’s more going on in Felicity’s head than just her failed relationship with Oliver. Click through to read my thoughts and check out the original piece. This week’s recaps by yours truly: Castle, Arrow. Finally, I’ll be hanging out over on the Entertainment Weekly Community, where fans get to ramble about and write recaps for TV shows they love. It’s a pretty exclusive community, so I’m really excited to join in! For my first post, I wrote about the similarities between two of my favorite shows: Angel and Arrow. TV side-by-side: ‘Angel’ and ‘Arrow‘. I’ll also be doing Nightly Show round-ups and Angel nostalgia recaps.