Category: Webseries

From TV to the Web

From TV to the Web.
As the move to the web becomes more and more of an option for writers, the WGA put together some quotables from web series writers and creators. Check out the article and check out the series. I’m going to check out Caper, “about a group of superheroes gone rogue co-written with Mike Sizemore – streams on Wednesdays on Hulu, Hulu Plus and YouTube (the season finale is April 2),” because it totally fits my nerdy style.  And perhaps I’ll work on my web series/real show teaser idea… 

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Women's Round Table Discussion: The State of Black TV

Andrea Lewis put together this awesome roundtable on the state of Black TV with various black, female content creators who have turned to the web to circumvent the difficulties of breaking into mainstream media. These ladies, Andrea Lewis, Issa Rae, Lena Waithe, Ashley Blaine Featherson and Numa Perrier have all made some sort of name for themselves through indie means, mainly meaning using the Internet to widen their fanbase. It’s really inspiring to see and hear their opinions because they make so many great points. It’s not an end all, be all discussion, but of course it gets a conversation started in the minds of those who watch it. How can we further the success of black content makers both online and in mainstream media. Watch it below.

Below are some of my favorite bullet points and thoughts.

  • Numa says that she doesn’t often feel like she’s surrounded by stereotypes because she actively works to watch content at contrasts the mainstream stereotypes. Shows like Love and Hip-Hop definitely portray a stereotype and is seen as mainstream media. “I’m not consuming the content that feels anti to my sense of truth.” I don’t watch those shows either, and while sometimes I do hate on them (sorry), the ladies make the excellent point that, “some people watch that content, why should they be discredited for who they are.” While the kind of behavior presented on those shows isn’t what I enjoy, others do, and I shouldn’t always be so derisive about it. I just wish there was more variety to the representation of black women (and other underrepresented groups).
  • Issa says she does watch some of the L&HH type shows, but there’s not enough of the other stuff. “We’re relegated to one stereotype. We watch the shows and know that there’s more to black women than this, but the general public doesn’t know. and opportunities are limited.
  • They point out that it’s about balance. There are two extremes. The Love and Hip-Hop types and the Olivia Popes. Either pristine, suits, wealthy or L&H characters. Bougie vs ratchet. We’re missing the middle ground. It’s an excellent point made that our two extremes are unbalanced as well. There’s only 1 Scandal, but multiple L&H’s shows. I’m a bit surprised the ladies don’t discuss the problems people have with Scandal, but I suppose that’s a whole ‘nother discussion.
  • It’s up to BET to step their game up and show people that the “middle ground” type black woman exists. But they’re trying to reach their base. Unfortunately, the middle ground doesn’t fit into their demo, “but what about Netflix and IFC and Sundance?” Those looking for new and interesting. It seems indie is the best place for a black content creator to go.

“Our tastes are being partitioned.”

  • How do you reach people worldwide who want to see this content? The internet has certainly been the best place for this for these ladies.
  • “Some people are going to have to get old and die before things change.” It’s a shame that this seems to be the truth about a lot of things.
  • “We need to continue to find ways to reach the world-wide audience, reach black people in Korea, etc.” Everything is so global these days. and “international eyeballs matter too.” Even movie Box Office numbers are increasingly including and discussing the international box office revenue.
  • Is online working better for you than mainstream? People are certainly grateful for content that represents them (esp when its free), but it’s hard to find/create content without sponsorship or support, to translate that community to a larger space.

“Keep doing the work and the right people will come.”
“We have to value ourselves more.”
“People are inspired and impressed when they find out I’m doing it online rather than just a “guest star” on a show.”

  • Don’t wait for things to come to you. Be driven.
  • Your work has to be something people are talking about and connecting with.
  • How do you develop your fanbase online? You can’t do it with 2 followers. Make sure you talk back to the fans. When people realize you’re gonna hit them back up, you build  relationships. It helps when people can trust you and the content is something they like.
  • All these ladies all “share in being a black women, but have such different voices”. It is definitely important that we get that across in the mainstream–we are not a monolith of Olivia Popes or Real Housewives of Atlanta.
  • It’s all about trial and error. Be strategic about collaboration. Be unapologetic about what you are and who you want to write for.

“This is black women not fighting.”

    • It’s a funny way to end the piece, but a sad fact that most shows, especially the reality shows which are born and bred on conflict, must show black women fighting all the time. That might be some people’s truths, but it’s not everyone. And if we have representations of black women not fighting with each other, but rather, supporting each other, perhaps there can be less fighting in the actual black community?

Finally, check out a webseries my friend created and I’ve helped work on, called Blacktress (I promise it was conceived before we ever knew about Andrea Lewis’ Black Actress webseries). It’s still a work in progress and we’re looking to expand very soon. But watching this was certainly inspirational for us to keep going and expanding and just getting more content out in the universe.

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Link: 2014 is the Year Black Women Take Over Hollywood | Clutch Magazine

“What I love about this list is that it is made up of black women who are content creators. It’s wonderful to have talented actresses in front of the camera, but what we desperately need is more black women behind the camera, shaping the portrayals we see on-screen.  Often times we complain that black folks only get awards for playing slaves, maids and prostitutes/pimps. We can change that! The way we change that is to have equally diverse and talented people back-stage as on-stage.”

This is exactly it. Hopefully if we can get more (black, asian, hispanic, all WoC) female content producers, we’ll be able to see more PoC on our screens!
Click through to read more: 2014 is the Year Black Women Take Over Hollywood | Clutch Magazine
Related:
Blackout: Hollywood

The most offensive statement I’ve heard people make is, ‘If 12 Years hadn’t been released in 2013, The Butlerand Fruitvale would have had a better chance.’ Is there only room for one?” – Scott Feinberg

Oscars’ Insult to Black Movies: There’s Room for Just One (Analysis)

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ConStar Studies Misadventures of Awkward Black Girl


Issa Rae is living the dream these days. Create your own YouTube show, have it become a viral sensation, get people like Shonda Rhimes to get you to write stuff with/for them, get your own show picked up by HBO! This is one of the new models of this age for writers and actors to get their work out there. And this is especially inspiring because she is a black woman. It’s hard for non-industry connected people of color to get in the business (I don’t know Issa Rae’s connections but the thought still stands for me) so having all of these avenues is a blessing. And it’s great to see someone out there making the new system work for them. I still need to finish season 2 of misadventures of Awkward Black Girl but I will and I hope Issa’s show does well. We need more black television (it seems to me that we’re at a serious low in the number of black scripted television shows) and we need more television that showcases the different sides to black women in general.