Tag: grey’s anatomy

My Favorite New TV Characters From the '14-'15 Season

I fell in love with an extraordinary number of new characters this TV season. Looking back in the ones I loved or connected with the most, I decided I’d make a list of my favorite new characters from this TV season. Once I made my list, I realized that they were all people of color. This was not on purpose, but it delights me greatly.

Cisco Ramon (Carlos Valdes) ⇒ The Flash

When Caitlin and Cisco guest starred in Arrow on season two, I didn’t care about them. I couldn’t really grasp who they were or connect with them at all. Once The Flash started, however, they quickly came into their own and Cisco proved to be one of the seasons funniest and savviest characters. I think what draws me to Cisco is the same thing that draws me to characters like Abed Nadir from Community or Kenneth the Page from 30 Rock. All of these characters are like me: pop culture savvy, people who make references to movies and TV on a daily if not hourly basis and are always looking for the hope and the humor in life. Cisco, by nature of his pop culture obsessed nature, is one of the meta characters on the show, the fact that he has recently been revealed to be a metahuman makes that even more meta. All things I love.

How do you not love him?

Ravi Chakrabarti (Rahul Kohli) ⇒ iZombie

iZombie’s Ravi is the most recent addition to this list, but definitely a character I want to protect at all costs. (Being that it’s a zombie show, all characters run the risk of dying, but don’t do it to Ravi!) I think what first struck me about Ravi was his loyalty. He meets Olivia Moore, this weird girl who used to be an ER doctor, and when he discovers her secret, he doesn’t tell anyone, not even her. He vows to keep her secret and help find a cure for zombieism with no personal gain. His immediate loyalty to both her and Major is extremely endearing. He’s also snarky, has fantastic hair, a great accent, and looks great in a suit. I hope season two provides for Ravi backstory and opportunities for Liv and Major (and Peyton?) to return the loyalty favor.

We’re glad you are, Ravi.

Maggie Pierce (Kelly McCreary) ⇒ Grey’s Anatomy

It’s hard to introduce a new character when your show is 11 seasons in, but Grey’s Anatomy manages to consistently add new characters and have fans come to love them. One of the first things I loved about Maggie was her hair. As a natural black girl myself, seeing curls like hers on TV is always a delight. I was hesitant about her character, as she was introduced so soon around Cristina Yang’s exit—I feared they would try to replace Cristina in Meredith’s life, especially once you find out she is her sister. And while Maggie is slowly plugging the hole that Cristina (and now Derek) left in Meredith’s life, she isn’t trying to replace her. She is her own character who interacts with Meredith in a different way, a way that Meredith needs now that she’s lost those who were previously so close to her. Maggie brings loyalty (have I mentioned I love loyalty in fictional characters? Because I do.), a willingness to be there no matter what the question (her offer to babysit Mer’s kids), and a somewhat normal family background. She’s also awkward, nerdy (she’s an expert crossword puzzle solver—a cruciverbalist), and she’s interested in helping other people. These are all wonderful qualities and I can’t wait to get to know Maggie more.

https://31.media.tumblr.com/7549b85d93f24ce4a3d0db32977df2fe/tumblr_njp7iqjwIb1qg9raso5_250.gif

You’re too good for this hospital, Maggie. Save yourself!

Jane Villanueva (Gina Rodriguez) ⇒ Jane the Virgin

Ask anyone who’s seen Jane the Virgin and they will extol the wondrous and many virtues of Gina Rodriguez. You’ve probably seen the think pieces, her Golden Globes speech, and her (amazing) Emmy campaign poster by now, so you know that she and her character Jane are well loved across the TV fandom. Nearly everything about Jane makes me love her (even her faults, because they are things I relate to), but the things that I might love most include the fact that she’s a writer (who is still trying to figure out her writing path), she’s loving to her mother and grandmother, she’s funny, she shops at Target, and she fearless even in her insecurites. Even if Jane is unsure, she determines to find out the answer, to become sure. She does her research, but she also listens to her heart. She allows herself to cry and still know that she is strong. She’s a great model for young female characters. I am so glad we have Jane.

I hope we get more rapping Jane in Season 2.

Diane Johnson (Caila Marsai Martin) ⇒ blackish

Kids on TV are hard to cast. Sometimes they can be seen as annoying or too sweet or unrealistic. blackish’s Diane Johnson defies these challenges. She’s cute but she’s smart, she’s fierce but she’s relatable. She’s funny but not in an annoying way. I love that Diane speaks her mind. That she’s smart and knows it and doesn’t back down or apologize for it. I love that she realistically puts down her twin brother, but won’t let anyone else mess with him. I love that she scares Charlie. Also I love her dimples and her sass and her glasses and the way her hair is different in every episode and that once they even put her in a headscarf (because Lord knows she’d need to wear her headscarf in order to keep those barretts in place at night). Diane is shaping up to be a fantastic person and I am so excited to see her grow older.

Love how semi-neatly she’s making it rain. 

Emery & Evan Huang (Forrest Wheeler & Ian Chen) ⇒ Fresh Off the Boat

I think Evan and Emery Huang come as a package deal for me. They’re both adorable and it would be easy for them to be written similarly (especially in their contrast to Eddie and especially due to their closeness in age), but the show gives them distinct personalities that still have an opportunity to shape and grow.
Emery gets all the girls and is clearly sweet to them and his family.

Evan uses his cuteness to get away with everything, including his sharp tongue, and he’s well aware that that’s what he’s doing.

Both boys are smart and funny, the actors have excellent comedic timing. I can’t wait to see who they become as characters because they’re so young that they can still change and grow depending on the writing.

Who were some of your favorite new characters this TV season? 

Shonda Rhimes is Winning Awards Left and Right and It's Only the Beginning

Shonda Rhimes to Receive WGAW’s 2015 Paddy Chayefsky Laurel Award

Shonda Rhimes has been winning awards left and right recently! There was the Director’s Guild Diversity Award  last year (which got all sorts of controversial press because of Shonda’s statement that she was “pissed off” that they even needed an award for such a thing) and recently the Sherry Lansing Leadership Award, which made headlines as Shonda broke the glass ceiling analogy by explaining that all the women who came before her cracked it first. Now she’s set to receive another award: The Paddy Chayesfsky Laurel Award for Television Writing Achievement (isn’t that a mouthful) from the Writer’s Guild of America.

Named after one of the most influential writers in entertainment history, the Paddy Chayefsky Laurel Award for Television Writing Achievement is the WGAW’s highest award for television writing, given to writers who have advanced the literature of television throughout the years and made outstanding contributions to the profession of the television writer. Past Television Laurel Award recipients include Steven Bochco, Susan Harris, Stephen J. Cannell, David Chase, Larry David, Diane English, Marshall Herskovitz & Ed Zwick, Joshua Brand & John Falsey, and, most recently, Garry Marshall.

See the names of those who have previously won this award? All white people. Only two women. Shonda will be the first black women, or woman of any color to receive this award — the guild’s “highest” award. That’s amazing. That’s inspiring. In a world where people of her gender and color are often marginalized, Shonda is not only making strides but giving opportunities to others who are pushed to the side. She’s showing us that you can have black leads and a diverse cast and dominate the ratings (competing even with football of all things). She’s providing  complicated characters of varying colors who aren’t stereotypes but aren’t perfect either. And she’s writing (and/or producing) compelling television that has people tweeting and talking about episodes weeks after they air.
I love that she is getting all of this recognition and while Grey’s Anatomy is in its 11th season (!!), this should still be considered just the beginning of her career. I can see her name being attached to loads of TV shows, even if she’s not writing them, à la a lot of the other names on that list of Laurel Award recipients past.
Shonda’s not a perfect writer. There are think pieces all over the internet with regard to her characters and her writing style, but she hadn’t written TV before Grey’s Anatomy and all writing is a process. I think she is, more and more, realizing her brand and sees what’s working best for audiences and is adapting to it. Rhimes herself, in awards speeches she’s made, has mentioned how competitive she is, so receiving these awards means she’s only going to continue to grow and try to outdo herself. And I am excited to see what she’ll come up with next.
Check the press release here: Shonda Rhimes to Receive WGAW’s 2015 Paddy Chayefsky Laurel Award.

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ABC Heralds Diverse Lineup Of Shows At TCA

“Let’s not pretend we’re there yet,” when it comes to the television industry accurately reflecting the demographics of America, ABC president Paul Lee said at the Television Critics Association press tour Tuesday. “I think we’re taking a very good step along that journey. But to be able to pull this off, you need not just stars on air […] [y]ou need the storytellers and you need the executives. I’m very proud of the fact that if you look at the executives who do development and do programming and marketing, across ABC, it’s a very diverse group of people.
via ABC Heralds Diverse Lineup Of Shows At TCA.
Seems like the president of ABC, Paul Lee isn’t trying to say they’ve reached Diversity (yes, capital D) on TV just yet, despite ABC’s wide selection of both supporting actors, leads, and full series that feature diverse families as the lead (though not sure how I feel about Asian “clan,” you already used family twice, either use three different words for family or all the same. Anyway–). It’s nice to see that ABC isn’t trying to say they’ve won anything or that there isn’t more work to be done. There definitely is.

Upfronts 2014: Shondaland Thursday Coming This Fall — But Can She Sustain It?

 

Shonda Rhimes is ABC’s biggest money maker right now. She’s been re-upped through 2018 and nearly all her shows get greenlit without much effort or fuss. Scandal is one of television’s hottest shows right now and Grey’s Anatomy has been 10 years strong, so it makes sense to keep that legacy going. And of course, if Grey’s starts to falter and Scandal has a tentative “end date,” then ABC wants to get some Shonda shows in there that could overlap and continue the dynasty.
This fall, Thursdays become Shondalnd Thursdays. In addition to Grey’s Anatomy and Scandal, Shonda Rhimes’ new show, starring Viola Davis–How to Get Away with Murder–will premiere in the 10pm slot. Talk about a strong lead in. We know just from the Shonda brand that it will be highly watched, highly talked about, and will get ABC the Thursday ratings they want for the first few weeks at least.
But can she sustain it? Doing two shows at a time has got to be rough. The last time Shonda Rhimes had three shows on the air–no one remembers Off the Map, in conjunction with Grey’s Anatomy and Private Practice? Exactly, that’s what happens when you have three shows on the air. Grey’s was in it’s seventh season and Private Practice in what became it’s second to last. Three shows is draining. Three shows is stretching yourself thin. Three shows is hoping you can trust the people in charge of your other shows with the characters, with the storylines. And while there are shows with big names attached spread across multiple shows (Dick Wolf (L&O), Jerry Bruckheimer), they don’t have the showrunner, creator, creative input that Shonda has. So we’ll see how well each show does with Shonda spreading herself across them like this.
My biggest example of a highly involved creator trying three shows at once is 2002 Joss Whedon.

It’s almost like he’s saying, “Shonda, beware!”

As he was entering Buffy the Vampire Slayer‘s seventh season and Angel’s fourth season, Firefly came out. Cult hit that it (and the other two shows as well) was, that was a rough year for Whedonites. Yes, there were other factors to Firefly’s cancel (cough*FOX executive meddling*cough), but season 7 of Buffy and Angel’s 4th are some of the most contested seasons among fans. There’s a lot of dislike in the character development, storyline speed and progress, and just a general division among fans about whether or not they’re the weakest seasons in the bunch. Firefly was cancelled after 13 episodes (well, more like 10?), it became Buffy’s last season, and Angel’s second to last. In addition to all the other pressures that caused each show to go through it’s personal rough patch, it could not have helped that Joss had to concern himself with all three shows, in some way. Focusing on Firefly doesn’t mean that he could have completely ignored showrunner responsibilities for Angel and Buffy. That kind of stretching takes a toll on the showrunner and the shows.
I hope this doesn’t happen to Shonda. Both Grey’s (simply due to it’s length) and Scandal already have many fans once in love with the shows expressing apprehension about the coming seasons. Grey’s is losing a major, fan favorite character. Scandal’s struggled with White House saturation. With these cracks in the armor, can Shonda risk dividing her attention to another show? Only time, and ratings, will tell.
 

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Response Post: "New Girl, Brooklyn 99, and Breaking the “One Black Friend” Pattern | TIME.com"

Can you find the token? (Love you Dule Hill)

It’s so very rare to find a show with more than one character of color. Some notable tokens off the top of my head include Angela from Boy Meets World, Lisa from Saved by the Bell,  Martha Jones from Doctor Who, Charlie on The West Wing and Gunn on Angel. 30 Rock subverts the trend by having Tracy Jordan in the main cast, but also Twofer, who is both black and nerdy. Some of the disappointment behind Agents of SHIELD came from the team claiming diversity and internationality (yup, I made that up), but only having one character of color, Melinda May.
For the most part, the characters listed above were main cast members, but even when I Googled “Token Black Character,” a lot of the examples were recurring characters, if that. When we begin to include 1-episode black characters as “token” characters, it doesn’t look good for the diversity of television.
Some shows this season, however, are trying to buck that trend. Mostly they’re on FOX, who started and seems to be maintaining a diversity initiative this season. Brooklyn 99 has one of the most diverse casts out there, up there with Grey’s Anatomy in terms of variety, which makes sense due to its New York Police Department setting. FOX also airs Sleepy Hollow, which has 2 black main cast members and up to 4 black supporting characters. Then there’s John Cho’s recurring character and the sometimes seen Abbie ex-boyfriend Det. Morales.

And when they brought Damon Wayans Jr back to New Girl, I was pleasantly surprised that Lamorne Morris wasn’t going anywhere. (Though, just through a quick google, there don’t seem to be any new cast photos with Damian– I have to wonder how the conversation went down when they told Lamorne Damon was coming back. Was there a “don’t worry, we’re not replacing you with him like we did him with you” conversation, or was it just we’re adding him to the cast everyone, no one is leaving. With this trend so prevalent, I would have been a little nervous my time was up.)
This article, from Time a few weeks ago, discusses FOX and other networks beginning to break the 1 black friend trend, which we could hopefully include other nationalities of color too. Here are some of my favorite quotes from the article.

But it’s also a welcome change because it makes New Girl a rarity in TV today: a major-network sitcom with more than one African American character in its regular ensemble–a comedy about friends in which “a black friend” isn’t “the black friend.”

[…]

The big networks have had a notoriously sketchy track record on casting diversity–better some seasons, terrible other seasons. The reaction has tended to be adding minority characters to shows with largely white casts. That affects the overall math, of course, but it has the side effect of replicating a universe in which black–or Asian, Latino, &c.–characters are scattered, uniformly and singly.

[…]

The exceptions are scarce: Troy and Shirley on Community; Glee, if you count that as a comedy; Parks and Recreation, depending on your definition. (That is, Rashida Jones is biracial, but having seen every episode I can’t recall Ann Perkins’ ethnicity.)

[…]

Brooklyn 9-9, the diversity is very conscious, not for p.c. reasons but simple realism. As its co-creators have said, it’s a New York City police show, and New York’s police department is about half minority. So you’ll see two Latina detectives who are very different personalities, because why not? You’ll see Andre Braugher and Terry Crews (who had a fantastic episode this week), sharing a subplot about Crews’ character’s annoying brother-in-law–not because they’re bonded as the precinct’s black characters, but simply because they work together, and it’s life–and, you know, in-laws, amirite?

[…]

But there’s another reason: sometimes, a show should just have two black women on it, because sometimes in life, there just are two black women in the same place. (Again: or men, or Indian, or Middle Eastern, or…) TV should be diverse because of fairness, but above all because it should reflect the world.

I hope this upcoming pilot seasons shows a continued growth to this trend. It shouldn’t just be FOX and Shonda Rhimes’ shows on ABC that have more than one token character of color. But that’s if the shows feature a character of color at all, like I said, sometimes the token is a recurring character and not even a supporting character. All television shows don’t necessarily have to be a tossed salad of racial diversity, but more shows need it.
Read more: New Girl, Brooklyn 9-9, and Breaking the “One Black Friend” Pattern | TIME.com http://entertainment.time.com/2013/11/07/new-girl-brooklyn-9-9-and-breaking-the-one-black-friend-pattern/#ixzz2q49hWhew

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Link: Shonda Rhimes doesn't like that there needs to be a DGA Diversity Award | Inside TV | EW.com

Shonda Rhimes on her DGA Diversity Award: ‘We’re a tiny bit p-ssed off that there has to be an award’ | Inside TV | EW.com.

Shonda Rhimes
Shonda Rhimes (Photo credit: geekchic89)

“It’s not because of a lack of talent. It’s because of a lack of access. People hire who they know. If it’s been a white boys club for 70 years, that’s a lot of white boys hiring one another. And I don’t believe that that happens out of any specific racism or sexism or prejudice. People hire their friends. They hire who they know. It’s comfortable. You want to be successful, you don’t want to take any chances, you don’t want to rock the boat by hiring people of color because, well, look at us,” she said. “Both Betsy and I like the world that we work in to look like the world that we live in. Different voices make for different visions. Different visions make for something original. Original is what the public is starving for.”
[…] The DGA, by the way, is the only Guild giving out this type of award in an attempt to draw attention to the problem, which I think is kind of badass.”

Shonda’s right, there doesn’t need to be an award, but maybe if more guilds/associations in the media gave out these kinds of awards, more people would strive to be more diverse? That’s really hard to say, and you don’t want people doing it who aren’t really in it for simple diversity, but it might help.
If nothing changes in the next year, Shonda might be getting the award again. Thankfully FOX seems to be sticking with it’s diversity initiative and shows like Sleepy Hollow (for network) and maybe Orange is the New Black are two other shows with diverse casts that might be honored for such a feat. But there simply needs to be more diversity in the media, but especially an everyday sort of medium like television. Diversity needs to be in people’s homes so they accept it more in the world.

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Link: 12 Television Writers of Color You Should Know – Flavorwire

12 Television Writers of Color You Should Know – Flavorwire
Hopefully this list grows more and more as the 2014 pilot season arises.
Some of my favorites from this list:
Obviously Shonda Rhimes, creator of Grey’s Anatomy and Scandal. I am currently taking an TV writing class and decided to write a Scandal spec script. We’ll see how it goes.
Mindy Kaling – of the Mindy Project, obviously. I didn’t watch The Office, but I watch The Mindy Project and enjoy it’s rom-com style (when it sticks to it)
Aisha Muharrar writes for Parks and Recreation. She wrote the following episodes: “Kaboom” (2.06) “Park Safety” (2.19) “Camping” (3.08) “Born & Raised” (4.03) “Operation Ann” (4.14) “Bus Tour” (4.21)”Ms. Knope Goes to Washington” (5.01) “Ron and Diane” (5.09) and this seasons Recall Vote.
Yvette Lee Bowser wrote for A Different World and created Living Single. Two of my favorite black sitcoms. I need to check up on her other show Half and Half.
Check out the list for more, some of your favorite shows have writers of color you might not have known about. These writers are from Modern Family, The Killing, Hannibal, House, and Orange is the New Black!

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