This week’s episode started off with a bang. Well, two bangs.
Olivia and Fitz meet up and “review the numbers” then have an all out RAGING fight. All with poor Jake awkwardly chatting with the Secret Service right outside the door. I loved the fight and it was about time Olivia stood up for herself. Fitz is getting more and more ridiculous with the things he says and the things he demands from the people around him, especially the women. He doesn’t appreciate Olivia for what she brings to the table, what she wants, what she needs and Liv finally let him know. He didn’t really do anything in the rest of the episode that told me he was adjusting or changing, so we’ll see if this is just his character and the way the writers are going to continue to write him or if this is leading to a character development arc. Because Fitz, of all the characters on the show, needs the most character development in order for fans to continue to like him or believe that Olivia loves this man. (You may say, but Quinn needs some character development too! No, Quinn needs to die.) I suppose, in lack of a Papa Pope Speech of the Week, we can give Kerry some serious award noms for her part in the fight. She really did tell him about himself and that not everything is about him. I almost forgot to look for Kerry’s baby bump!
Some of the episode flashes back to the California governor’s mansion 14 years ago. Andrew Nichols, in the present, owns to some prescription drug use that someone is planting to use against the Grant campaign. But back in 2000, it was Mellie who took the pills. She was feeling sick and tired of her life, unable to look at Fitz or even touch him, scared that her kid wasn’t his and really feeling overwhelmed. Nichols finds her and stays up all night to make sure she makes it through and boy does he fall hard. But Mellie has a backbone and resists his charms, despite everyone kind of understanding and knowing where Fitz is headed in terms of his own marital screw-ups. But two wrongs don’t make a right, until the present day, when Mellie couldn’t take it anymore. Nichols certainly gets to touch the First Lady (and with Mellie’s hair like it was, she looked so great!) and he did it once, so he decides to do it again–this time the painting of Jackie O he was admiring before he had another first lady to admire.
Fitz is already pissed about Jake being “a fox in his hen house” so it’ll be interesting to see what conniption he experiences when he finds out his other “loyal” “trusted” friend is a fox. Even with how he dismisses Mellie, he wants to have his cake and eat it too, he doesn’t want her to do anything he doesn’t want. Fitz’ control issues are spiraling out of control and I believe it’s all because he found out about Defiance. And he started drinking.
Speaking of spiraling (weak transition, I know), poor Jake. He’s been command for over a month now, but B6-13 let him get settled before delivering the whammy. He gets a suitcase of mysterious files, all of the nations secrets. With very daunting words like “protect the republic.” Jake doesn’t seem like he was ready for this; he’s seeing how lonely it is at the top. The suitcase clearly stated that he was to act with no interference from the executive branch and to stay a step ahead of the president, etc, etc. He thought he was going in with Fitz by his side, but between Olivia and the weight of his office, his buddy is getting farther and farther away and the weight is getting heavier. I know many of us certainly loved the scene where he uses his “boyfriend of Olivia Pope key” to demand some real food in the house and to go take a shower. But the seams are more visible and the pressure will get to him more and more, I am sure.
Well, I suppose at least Jake isn’t James. James is about to shake right out of his skin, he really wasn’t made for this covert ops, behind his husband’s back stuff. The littlest sound is setting him off and his meeting with David under the bridge (or wherever that seemed to be) made me laugh at how cliche it was for a secret meeting between “spies.” He’s not ready for B6-13.
And neither is Quinn (I’m really killing these transitions aren’t I ;-)). Quinn makes me more and more angry as the season progresses. She wants to find her own way? So go back to being the girl you were before you were Quinn. Olivia and Huck made you Quinn and if you want express your independence, why not go back to whatever your name was before (you make me so angry I’ve chosen to forget what your real name is)? Don’t pull a gun on the person who’s best suited to save your life when the time comes. She walked into Jake’s office cocky as I don’t know what, but you got caught on your first go round by Olivia. Not Rowan, not Charlie, but Olivia, who isn’t exactly covert ops material herself (she’d be in the command station doling out orders). You didn’t even try to hide when spying on Rowan and someone is going to get fed up with you and kill you. And the entire audience is going to cheer with glee (we’re all still kind of on Huck’s side about the torture thing–he just went a little too far with the licking).
Huck kinda made me nervous though, bringing Olivia coffee like he was. Who knew what could have been in that coffee, considering his background. But it was apology coffee. Not for hurting Quinn, but for Olivia’s anger about it. Huck doesn’t let his desire for an apology stop him from telling Olivia about himself and herself. “You should have never given me someone to love. Monsters eat people, Liv. It;s what we do.” Oh Huck. It’s so telling about how he sees himself and his relationship with Olivia. And he loved Quinn. He took her under his wing and loved her and she went betrayed the master (if we’re sticking with Huck’s puppy metaphor), so he had to take a couple bites out of her for that. I wish he’d gotten a couple of more bites in.
Finally, I sat on my last post for about a week, hoping to unleash my theory about Adnan Salif working with Mama Pope and they reveal it the very next episode! I still KNEW IT! I really wonder what they’re up to, though. Adnan has now gotten her way into the Grant campaign camp, despite Cyrus knowing how criminal she is, and it was Mama’s idea? What’s the plan? And how will it interact with Eli’s plan to destroy Fitz? No way Maya wants Fitz to continue being president (certainly not without some damage somewhere), he knows about her and was the man who pulled her trigger. But if she does something to destroy Fitz, how does that play with Eli’s plan? Will they end up working on the same team somehow? What dangerous red strings of fate are being intertwined as we hurtle toward the end of the season?
Spec Inspiration: How to Raise the Stakes by Challenging a Character’s Identity
Make the character prove his point. Once your character’s identity has been challenged, make him or her prove that the challenge is incorrect.
This idea might help me with my Scandal spec. I’ve been struggling with giving Olivia more to do. She has some role in the major plots of the episode, sure, but a lot of that is easily delegated. I’m struggling with her wanting something, more than “to clear his name” or whatever the case may be. But this helps.
I’ve been trying to find a way to explore Olivia’s relationship with both Fitz and her dad and by using this idea, I can have one refer/label her relationship with the other, then have her rebel against the idea. Haven’t figured out which way yet.
Shonda used this herself, when she had Cyrus question Fitz’ “balls.” Fitz went off and proved himself and went back to Cyrus asking, “How presidential are my balls now, Cy?” The audience loved it, but it also gave Fitz something to do, something to want in that episode. I need to use it with this one.
More spec updates soon! Once I stop distracting myself with other blog thoughts (new blog coming soon lol).
via How to Raise the Stakes by Challenging a Character’s Identity [Read to Write Stories]
Ok. It’s not nearly as bad as that (there’s a vague idea of a plot and characters are interacting blah blah blah), but it’s somewhere in the vicinity. Every time I think I have a handle on my outline, I write to a later scene and everything before comes into question.
Recently I heard the quote that “The first draft is just you telling the story to yourself,” so, in addition to the mentors and teachers telling me to continue to write forward, I’m at the moment resisting every urge to scrap everything I’ve done and just make notes of things that will need to change. That’s the hardest part for me, resisting the urge to start over, but I’m gonna try to just vomit draft this plot and then go back… We’ll see how it goes!
As always, where do I begin?
Let’s first begin with the greatness that is a primetime show with a black female lead, a black female showrunner, and a black female director (Ava DuVernary) of an episode. When has THAT ever happened? On TV ever? (The episode was not written by a black female, however, I think our brains would’ve exploded). Such a rarity to see those things together; hopefully we get to see more of it across all media.
Now, on to the episode. While last week’s episode gave us lots of backstory, this episode is setting us up for next episode’s Winter Finale (we’re not readdyyyy!). However, I think this was my least favorite—and the weakest—episode of the season. Many moments were kind of forced (really Liv? You still think he murdered your mother— sorry, we’ll get that later) or fell flat (the Josie storyline is just gonna end like that? Whomp whom). But there were some nuggets of character for the Parental Popes that I am enjoying trying to figure out.
We didn’t learn as much about Mama Pope as I think we were hoping, in terms of the actions that got her in prison, but I think we learned a lot about her personality wise. She is fierce and bold, a little nuts (you nearly threw up in your mouth when she chewed her own wrists, didn’t you), but that move made her ingenious. She goes after what she wants and does whatever it takes to get there. But what does that mean about her past? Did she use these same traits to hurt people? To pass secrets? To take action to blow up a plane? Later, I’ll ask you guys to give me your favorite Mama Pope theories (I’d like to do another blog post on those); for now, we’ve just been given her character traits–which we’ve seen have passed on to Olivia. (As well as a love of popcorn.)
Turning to her relationship with Eli/Rowan, I can’t tell where they’re at right now. His entrance into her cell didn’t seem like a surprise. He cradles her wrists in the hospital and hands her water. He brings her pictures of Olivia, touches her shoulder, laughs with her. She laughs back. They don’t seem to hate each other. She told him to take care of Olivia. Have they seen each other in the last 20 something years? Has he done anything to help her? Can he? They don’t seem to have ever talked about Olivia in all these years, but they don’t act like it’s been 20 years and a conspiracy driving them apart. I don’t get it. What could the circumstances of Operation Remington be that they’re almost cordial with each other until he denies her what we might call “visitation rights.” Then he’s Command and the leader of B6-13, angry that a prisoner escaped. We’re they operatives together? Was she on our side but then turned traitor? I need answers and I need them now.
Things I Didn’t Like (Shocker, I know)
Harrison and Candace. I called their UST from the moment they met each other in the episode, but I’m upset because it’s (so far) served no purpose. He didn’t get a storyline in the episode about it, the two don’t even seem to be sticking around for the next episode (there is clearly no room for them in the winter finale) so he and Candy probably won’t continue to see each other, and it didn’t help either him or Candy in the episode. So what was the point? To pretend to give Harrison some (literal) love? How is this helping Cyrus’ proposed blackmail to bring that guy back into the country? Did that even happen? Have we forgotten about that in honor of non Harrison story lines? Even Abbie and David’s storyline has had more forward movement than anything Harrison is given. It was disappointing. As was the Marcus storyline as a whole. I was hoping Lisa Kudrow would go out with a bang; her presidential candidacy barely last a month? Liv is free to go back to the Grants?
But that’s the easy choice; what will Shonda do to unravel Olivia and Fitz? She certainly fused them back together for a moment that might have had fans cheering a few episodes ago, but now felt extremely forced. I’ve mentioned before I’ve faltered between Team Jake and Team Fitz, but Olivia thinks he KILLED HER MOTHER. At the very least, he killed hundreds of people (under orders he’ll keep saying) and never told her about it. Then he has the nerve to be upset that she didn’t tell him about her father (who—as far as Fitz knows—could have a similar “don’t tell anyone I am your father for national security reasons” hold over her). His upset about that really made me angry (also, leave the girl be for ONE MOMENT, instead of using your power and emotional manipulation to get her to do what you want. -____-) so I was disappointed that she thought that a house (that he has to keep secret because he is STILL MARRIED) was enough to forget all of that for one night. And I get it, he’s her weakness. She forgets herself and her morals when she’s around him, but where will her self control come in? I hope Mama Pope will smack some sense into her daughter and cause another rift (final? because what else could drive Liv and Fitz apart once and for all?) between Olitz. I think I am officially over Team Fitz.
Also the end. We knew Olivia and Maya would meet again, but it felt a little flat to end it on their first meeting. I might have preferred if Liv had actually passed out (she certainly looked like she would. and maybe they’ll begin next episode with such a move). but it was kind of anticlimactic because we’ve met her mom, we knew where she was going and that they’d meet eventually. If mom had been doing something else (killing someone, breaking into Liv’s apartment, something), maybe it would’ve have been a good ending, but since it was expected, and came after the HUCK KNOWS moment, it fell a little flat for me.
But part of this is being the set up for the winter finale, it’s putting as many pieces in place as it can to set those explosive events in motion. I just wish the moments hit stronger in this one; because now I have to wait two weeks for the next episode and I was underwhelmed by this one. =/
Mellie, Mellie, Mellie. She was so sad and had such a change of heart about the Honey Trap when she learned Fitz and Liv were off somewhere together. But what can she do next? She’s already threatened divorce, outed his affair on national television, he’s already been shot at—what’s left for Mellie? After all that she’s sacrificed and she still will only get to be the First Lady for another term—she hates being First Lady.
Will Shonda write in an Olivia pregnancy from the Vermont scene? I think she could ave written it in by now, but maybe the timing wasn’t right when Kerry told her about it? If it had been written in before, the obvious plot would’ve been the question of whether it was Jake’s or Fitz’. If done now, it would most certainly be Fitz’. And where would that leave us? I was hoping they wouldn’t write it in at all, but now it’s certainly possible; hiding Kerry in those black and white pants suits, giant coats and behind lamps will only work for so long, I suppose. And in order to keep the scheduling promise they gave us, these run of episodes, then the next set after winter break with no reruns, Kerry will have to keep working through the baby bump, until probably mid/late spring when she’s likely due. So it’s highly likely they just wrote in the pregnancy and when we get back, Liv will be having the president’s baby. Guess it’s good she told him to keep the house, huh? I wonder what that might mean for the Grant kids, of which I am not sure any of them are his. Can he only reproduce with Olivia? Mellie might snap on that information.
Finally, what are your Mama Pope theories? She and Rowan were my favorite parts to this episode, figuring out what their current relationship is and what events in the past determined it is really fun. The one thing I truly believe they agree on is that they love their daughter. It looked like they loved each other too. So what happened to destroy it all? Let me know your theories!
- Ava DuVernay directs latest episode of ‘Scandal’ (thegrio.com)
- ‘Scandal’ Season 3 Episode 8 Recap: “Vermont Is for Lovers, Too” (Flavorwire)
The last two episodes of Scandal were explosive through and through; this one simmered more before delivering some blows. Even though Mary took up most of the screen time in today’s episode, the scene with Huck and Olivia and Mellie’s scene with Fitz carried the most emotional weight this episode, but let’s start with Mary.
Poor Mary. I had a feeling she would blow herself up if she found out her son was a terrorist. It really does suck because Liv had a choice to tell her the truth, she chose the lie, and her lie cost her. I’m surprised they didn’t give her a wardrobe change towards the end of the episode; but I suppose the soot on her light colored suit speaks for itself. I suppose she who wears the white hat must always be wary of dirt getting on it.
Olivia/Huck/Eli. There was no answer Huck could give that would save the relationship between Huck and Liv: Either Huck kills Papa Pope (I guess I’ll call him Eli now?–thanks cell phone caller ID) and Liv is destroyed or Huck doesn’t kill him and Huck is destroyed. We got treated to the latter, but I won’t be surprised if the former also happens sometime down the road. It’s a no win situation. The bond they had before is irreparably damaged. Eli is awful, but I love him for it; I love what he brings to the show and the depth he’s brung to the characters. And I love the lines they give him, so deliciously theatrical. So clearly he is going to be around for a while. it was never going to be that easy.
It’s interesting to me that Huck never met this man before, so the commands coming from Command were always faceless, yet Huck felt the man’s power over him enough to kill that man (who we’ll get to briefly later). But I guess if I met someone who I was told was God (obviously I’d have to have very good reason to believe such a claim–just go with me here), after listening to him all this time, and he told me to go do something, I suppose I’d just do it too. Out of fear, out of loyalty–there are many reasons why Huck went and did what he did. Let’s not also forget, though, that Huck loves this stuff. It’s his drug. And Eli handed him a hit on a platter. Huck kind of had no control over his actions. Poor, poor Huck. He and Liv are basically brother and sister: they suffer from the same damaging “parental” figure who they can’t escape from.
“He owns me too.”
Yes, girl, even that wine you’re drinking is a product of his influence on you. Huck is back in the hole and Eli is trying to drag Liv in too. She says “Nobody walks away from him,” not realizing that both Huck and Jake are alive because of his love for her (which I still believe must be the one genuine, non evil thing about him). If Liv liked every member of B6-13, I don’t wonder if he wouldn’t shut it down.
[Anyone else catch Eli’s eye twitch when Huck’s gun was in his face? I think he stood his ground, but thinks that Huck is a real threat to him. He’s just aware of his power over him and knows he’s able to make use of it. But I don’t think Eli underestimates Huck. I think he might be very afraid. Let’s not forget that Huck, while possibly unaware–and possibly unwilling to use this tactic–has Olivia. Huck could threaten Olivia in some way and Papa Pope might change his whole perspective on things. Just something to think about.]
Fitz/Liv: I bet that 4th fellow in the office when Fitz was telling Liv about Mary’s son was like “Oh, Miss Pope is about to lose her job or something for hanging up on the president,” not knowing he’s her boo. Also Fitz had to tell Liv that guy was on the phone very clearly so she didn’t slip and say something he wasn’t supposed to hear.
Let’s talk about the quiet, but powerful scene Mellie had. It’s the most imperfect we’ve seen her, if I’m remembering correctly. Her hair is loose, she has little make up on, and she was so relaxed. Drunk!Mellie might be my favorite Mellie. Even a bit of an accent popped out there, especially as she talked about her Daddy’s “hootch.” Homegirl knows what’s up. She knows that if Olivia Pope died, she’d have nothing. Fitz wouldn’t have the time or the energy for her; it would all go in to grief and trying to champion some sort of monument to “Saint Olivia Pope.”
I am spectacular but I cannot compete with religious fervor.
Mellie knows how to run what’s given to her, but a curveball like that would take things out of her hands. As she said,
“As long as she’s still alive she’s your flaw. your achilles heel. She’s the string I’ll pull to make my puppet husband dance.”
Mellie y’all! They both, but she especially, are done playing. They are even over playing for the public; Cyrus was going to have a coronary trying to get them to go to Camp David together. Poor Teddy, he’s going to have some deep emotional scars from them yelling at each other in his face like that. Mellie intends to play the Olivia card to get what she wants; I wonder what she has planned…
Remington Update. Let’s see: The man Huck murdered wanted to speak to the president about Remington. He though he was the only honorable person involved. Does Jake’s release have anything to do with all the Remington stuff coming out? Why did that man not try before to speak to the president? What prompted him to want to do it now?
I don’t like David and Cy in the same room together. They’re more than opposite sides of the coin, that implies shared traits. I worry Cy will corrupt David, but David shocked me (and twitter) tonight when he showed up and OUT against Cy. I was proud of him. I wonder what this might mean for their interactions in the future. Cyrus is always trying to blackmail or guilt or extort something out of somebody; David isn’t letting that happen. You go, David!
This week and (it seems) next week are sort of back to the case of the week format, but so far it hasn’t lost the serial edge that it seemed to last season after the Defiance arc ended. Is it next Thursday yet?
“I’m all killed out today.”“Wrap it in plastic and put it in a dumpster so it never bothers you again.”
I was hoping Scandal season 3 would be good; I wasn’t expecting it to be THIS good! I don’t even know where to begin!!! I’ll try to organize my thoughts to make it easier to read! (but it’s shorter than last weeks, actually! Surprised me!)
“I can kill a man with very little effort and a lot of joy but I try not to.”
“You’re evil.” “You’re welcome.”
“I am your father. So I’m going to explain to you how to behave in my presence. You do not ask questions that you can’t handle the answer to. You do not make judgements about things you cannot imagine. You don’t know me that way, you don’t ever want to know me that way; but if you push you will know me well and that would break my heart. Because I’m enjoying these Sunday dinners that you make me pay for. Now, you are on my dime, pick up your menu, order your meal, and tell me about your day.”
“How presidential are my balls now, Cy?”
“We are family, sweetie. We are never done.”
- What exactly does (Eli? Rowan? Which is his name? I’ve seen cast members say Rowan, but his cover is Eli…?) he do for B6-13? Is he in charge? Or just one leader of others?
- Some timeline qs: Liv’s mom dies, Papa Pope “grieves” and sends her away. Is it guilt because he had something to do with it? Or he gets deeper involved in B6-13 to exact revenge because of her death? Is his love for his family the softest thing about him?
- Who were those muggers at Union Station? Could they be more than muggers? Or simply that plot device to show Liv Huck’s nature?
So I guess Liv is over Verna, huh? I thought in the finale, she said she didn’t know if she could continue knowing that he killed Verna. THOUGH, she DID ask, as someone on Twitter put it, “her main squeeze to find and save her side piece.” So maybe she’s just waiting it out until Jake comes back…?
We’re going to get just the pieces of what’s in the file every episode aren’t we? It will probably be an episode 13 reveal. There was so much in this episode but don’t think I’m going to forget that “Remington” detail Cyrus gave us. What’s in the file?! (also, Cyrus and Papa must have known each other 5 years ago, the way Papa Pope threw his name at Liv at dinner the way he did.)
The scenes with Papa Pope from 5 Years Ago. They were amazing. He went from this picture of a loving dad who was trying to make amends (and I am sure that it was true, as the confidence of his lies must have been based in truth to be so genuine) to showing Olivia the man he really is. I’m skipping ahead a bit but I canNOT believe he said “You don’t know me like that…”! When he flipped on her when she confronted him, I nearly died. No really, I couldn’t breath while he was talking and I started tearing up from crying. But he should have KNOWN she could figure it out: he’s paying for her law degree and she has his genes! Of course she’s going to find out! She’s Olivia Pope! But I guess he hadn’t seen her in so long and was trying so hard on the emotional side that he didn’t think about her logical side (which I’m sure she gets from him). But, as my friend said on Twitter, I wouldn’t walk away from my dad if I just found out he’s a killer. Choose life. And now we know why she broke it off with Edison in the past. They hold a lot of power over each other, those Popes.
Focusing on the Popes in the present: He just suddenly shows up at her office! Huck is there, but I guess, considering the ending, that they’ve never met before, even under B6-13. I guess he’s the shadowy figurehead that no one sees? I’m confused about his position. Is he the leader? Just a commander for one section? It’s interesting how easy it was for Olivia to negotiate getting Jake back. All it took was Sunday dinners again. I suppose we must believe that his interest in his daughter is genuine.
The scene in the office between them was great.
*smiling* “You need to leave.”
Those fake smiles between them for her co-workers was a genius move; I didn’t notice in the first few seconds that their smiles were for show, not until they shot from outside the room with no sound. Brilliant. And it’s so both of them. There are so many ways in which you see the similarities between them; because with as little time they spend together, they just know what to do together. Imagine if they were on the same side, the damage they could do; the power they would have.
Wine: Papa Pope introduces Liv to wine! He’s where her wine-only diet comes from! It makes you think, however, what her thoughts might have been in all those previous scenes with wine. Those scenes have deeper meaning now. Could she have been thinking of her father?
Fitz/Liv: I think Fitz has a bigger game for Liv and the public. He had a proud gleam in his eyes when she was fighting for Jeanine at the press conference. And he told her to “go for the jugular,” why?
Olivia wanted two things: The free Jeanine from the scandal and the free Jake. She tried to appeal to both Fitz and her Dad. No matter how she came at it, there was only ever one solution. Jeanine burns. She wanted Jake more than she wanted Jeanine free; she asked about him more.
Harrison: Harrison is coming to his wit’s end, I believe. The side-eye he gave her when she walks into her office when the interview is about to begin was quick but deep. And Black Girl Nerds on Twitter thought that there might have been a connection between Harrison and Papa Pope that they might have been suppressing. I ran with this idea, here it goes: Harrison is overly good to Olivia; what if he is doing so because he is trying to pull a Papa Pope card and make up for a transgression in the past that affected Olivia? (I always go back to the mother theory since we found out but it could be anything I guess). That’s why we haven’t gotten Harrison’s backstory yet, because he’s atoning for something in his past that directly affects Olivia. (I wonder if she knows about whatever it is and that’s why she kind of snubs him the way she does?)
Huck: FIRST OF ALL, I CAN’T BELIEVE HUCK TOUCHED LIV LIKE THAT! We know he’s crazy, but we all thought Liv was his center; his one person he wouldn’t ever mess with. But she lied to him and kept her dad from him. The person who ruined his life and put him in a hole and made him crazy. Poor Huck. (Though upon rewatch, he doesn’t go for her neck. He’s wringing her chin kind of loosely. But the move still did the damage it intended to.) Now Huck and Liv’s relationship is broken. Who knows if it can come back together. However, now that Jake is back, she is exchanging one Huck for another.
This episode has a lot of people playing someone’s weakness against them. Fitz uses Cyrus’ love of White House power in the scene before he does the press conference. Liv uses Fitz insecurities about the election to (try) to get him to choose her side in the Jeanine situation. Fitz uses the VP’s dislike of sexual immorality against her to get her to leave him alone when she confronts him about lying about Jeanine being the one (“I had Jeanine six ways to Sunday all over this White House…”). Papa uses Jake to try to convince Liv to burn Jeanine. Olivia uses Papa’s desire for Sunday dinner to get Jake released. I’m sure I’m missing more, but there were a lot of power plays used in this episode.
- Didn’t Amanda Tanner get kidnapped from Liv’s house and then murdered?! Liv, don’t leave that girl in your house!
- Olivia is on the phone, Fitz kicks everyone out the room. ON THE PHONE lol
- David Rosen’s goatee lol.
- Ohh that’s why she gave the ring back to Edison the first time! But she only accepts his proposal to blackmail her dad… so it wasn’t going to last anyway.
- Olivia is flawless even in the middle of the night on her way to the morgue.
Season Three came out of the gate FIRING ON ALL CYLINDERS! I’m still in shock from that premiere. *major spoilers below*
I’m rewatching the episode as I type to get some of his lines right. This episode was chock full of fantastic, fierce, and fiery one liners.
- Joe Morton KILLED IT as Papa Pope. Act One was amazing. I basically wrote a dissertation below; lots of questions about him & his motivations.
- I want to know what happened to Olivia’s mom and the plane crash. I have a feeling that will be important*[theory at the bottom]
- Shonda did a great job of using dialogue to express character and relationships.
- Fitz basically told us he leaked the name halfway through the episode.
- Harrison is Liv’s champion and she (still) refuses him. I blame Papa Pope.
- “I know more than you could possibly imagine; about things of which you cannot possibly dream.”
- “Just to be clear, I am the hell AND the high-water.”
- “You have to be what?” “Twice as good.” “Twice as good as them to get half of what they have.”
- “I am done with you and your superiority and your rudeness.”
- “I am a monster, but honey, I’m your monster.”
- “The White House will destroy you.” “That’s what mom used to tell me about you.”
- “The time has come; I want it to come.”
Tl;dr under a read more cut, but just know I have a lot of thoughts. This is a long post. Read more