This week’s episode started off with a bang. Well, two bangs.
Olivia and Fitz meet up and “review the numbers” then have an all out RAGING fight. All with poor Jake awkwardly chatting with the Secret Service right outside the door. I loved the fight and it was about time Olivia stood up for herself. Fitz is getting more and more ridiculous with the things he says and the things he demands from the people around him, especially the women. He doesn’t appreciate Olivia for what she brings to the table, what she wants, what she needs and Liv finally let him know. He didn’t really do anything in the rest of the episode that told me he was adjusting or changing, so we’ll see if this is just his character and the way the writers are going to continue to write him or if this is leading to a character development arc. Because Fitz, of all the characters on the show, needs the most character development in order for fans to continue to like him or believe that Olivia loves this man. (You may say, but Quinn needs some character development too! No, Quinn needs to die.) I suppose, in lack of a Papa Pope Speech of the Week, we can give Kerry some serious award noms for her part in the fight. She really did tell him about himself and that not everything is about him. I almost forgot to look for Kerry’s baby bump!
Some of the episode flashes back to the California governor’s mansion 14 years ago. Andrew Nichols, in the present, owns to some prescription drug use that someone is planting to use against the Grant campaign. But back in 2000, it was Mellie who took the pills. She was feeling sick and tired of her life, unable to look at Fitz or even touch him, scared that her kid wasn’t his and really feeling overwhelmed. Nichols finds her and stays up all night to make sure she makes it through and boy does he fall hard. But Mellie has a backbone and resists his charms, despite everyone kind of understanding and knowing where Fitz is headed in terms of his own marital screw-ups. But two wrongs don’t make a right, until the present day, when Mellie couldn’t take it anymore. Nichols certainly gets to touch the First Lady (and with Mellie’s hair like it was, she looked so great!) and he did it once, so he decides to do it again–this time the painting of Jackie O he was admiring before he had another first lady to admire.
Fitz is already pissed about Jake being “a fox in his hen house” so it’ll be interesting to see what conniption he experiences when he finds out his other “loyal” “trusted” friend is a fox. Even with how he dismisses Mellie, he wants to have his cake and eat it too, he doesn’t want her to do anything he doesn’t want. Fitz’ control issues are spiraling out of control and I believe it’s all because he found out about Defiance. And he started drinking.
Speaking of spiraling (weak transition, I know), poor Jake. He’s been command for over a month now, but B6-13 let him get settled before delivering the whammy. He gets a suitcase of mysterious files, all of the nations secrets. With very daunting words like “protect the republic.” Jake doesn’t seem like he was ready for this; he’s seeing how lonely it is at the top. The suitcase clearly stated that he was to act with no interference from the executive branch and to stay a step ahead of the president, etc, etc. He thought he was going in with Fitz by his side, but between Olivia and the weight of his office, his buddy is getting farther and farther away and the weight is getting heavier. I know many of us certainly loved the scene where he uses his “boyfriend of Olivia Pope key” to demand some real food in the house and to go take a shower. But the seams are more visible and the pressure will get to him more and more, I am sure.
Well, I suppose at least Jake isn’t James. James is about to shake right out of his skin, he really wasn’t made for this covert ops, behind his husband’s back stuff. The littlest sound is setting him off and his meeting with David under the bridge (or wherever that seemed to be) made me laugh at how cliche it was for a secret meeting between “spies.” He’s not ready for B6-13.
And neither is Quinn (I’m really killing these transitions aren’t I ;-)). Quinn makes me more and more angry as the season progresses. She wants to find her own way? So go back to being the girl you were before you were Quinn. Olivia and Huck made you Quinn and if you want express your independence, why not go back to whatever your name was before (you make me so angry I’ve chosen to forget what your real name is)? Don’t pull a gun on the person who’s best suited to save your life when the time comes. She walked into Jake’s office cocky as I don’t know what, but you got caught on your first go round by Olivia. Not Rowan, not Charlie, but Olivia, who isn’t exactly covert ops material herself (she’d be in the command station doling out orders). You didn’t even try to hide when spying on Rowan and someone is going to get fed up with you and kill you. And the entire audience is going to cheer with glee (we’re all still kind of on Huck’s side about the torture thing–he just went a little too far with the licking).
Huck kinda made me nervous though, bringing Olivia coffee like he was. Who knew what could have been in that coffee, considering his background. But it was apology coffee. Not for hurting Quinn, but for Olivia’s anger about it. Huck doesn’t let his desire for an apology stop him from telling Olivia about himself and herself. “You should have never given me someone to love. Monsters eat people, Liv. It;s what we do.” Oh Huck. It’s so telling about how he sees himself and his relationship with Olivia. And he loved Quinn. He took her under his wing and loved her and she went betrayed the master (if we’re sticking with Huck’s puppy metaphor), so he had to take a couple bites out of her for that. I wish he’d gotten a couple of more bites in.
Finally, I sat on my last post for about a week, hoping to unleash my theory about Adnan Salif working with Mama Pope and they reveal it the very next episode! I still KNEW IT! I really wonder what they’re up to, though. Adnan has now gotten her way into the Grant campaign camp, despite Cyrus knowing how criminal she is, and it was Mama’s idea? What’s the plan? And how will it interact with Eli’s plan to destroy Fitz? No way Maya wants Fitz to continue being president (certainly not without some damage somewhere), he knows about her and was the man who pulled her trigger. But if she does something to destroy Fitz, how does that play with Eli’s plan? Will they end up working on the same team somehow? What dangerous red strings of fate are being intertwined as we hurtle toward the end of the season?
I’ve been slacking on bringing back my weekly Scandal posts. Partially because I am still busy and partially because I watched Scandal differently for the premiere than I usually do.
Last week, I went to a panel on Black Women in Hollywood (which I will write about soon) put together by New York Women in Film and Television (NYWiFT), at a venue in Harlem called My Image Studios (MiST). After the panel, as they do every week, MiST played Scandal in their theater space. That’s right, this place in Harlem plays Scandal on two large movie screens every week. Dozens of women (and some men!) were there–partly the panel crowd, partly the usual crowd that usually appears there–and wow is it different watching Scandal with other people. I mimic the experience when I live-tweet the show, retweeting funny comments, but it’s great watching and hearing people’s physical reactions to things. The moment when Mellie walks in on Fitz and Olivia making out in the Oval, every gasped so loud. It was fun! I would totally do it again, but with more people I knew. I got to hang out with some of the NYWiFT interns, but I’d love to go back with some friends of mine and get to react to the show live. So the busyness of that night combined with other life reasons made me put off this post for a whole week. But here it is. Hopefully the next one won’t take as long.
Like I said, the entire screening audience gasped when we and Mellie all caught Liv and Fitz making out in the Oval. They were “reviewing the numbers” all right. The two pull their lips off each other to deal with Sally’s big announcementt: She’s running for president as an independent, but she’s not stepping down from the vice presidency… She claims the devil came in and killed Daniel Douglas, but the devil must be giving her some intense balls to think she can both be the VP and run against her boss.
All of this pisses Fitz off so bad that even Liv can’t get through to him. He says he’s got a new pick for VP, Andrew Nichols, who worked with him in California. Liv thinks it’s a bad idea, he’s from the same state and brings absolutely NO diversity to the table. Fitz dismisses her. “I said that’s all.” Here’s where Fitz pisses me off the most, and it comes up in his scene with Liv later: he says all the time how he loves her and trusts her and can’t win without her, but he refuses to listen to her opinions. Eli was right, he’s a boy who’s trying to prove he’s a man.
Speaking of Eli, Liv finds out that Jake is in charge of B6-13 and goes off to find her father, now that she knows he was fired from Wonderland. They meet at an old hangout spot of theirs and discuss his uncommon valor. Liv apologizes for what happened to him and that. sets. him. OFF. I’ll post more of the speech in a section I’ll call “Joe Morton Speech of the Week,” but he really tells Olivia how it is.
“You’re skipping around in a field full of bombs and mistaking them for daisies. This, dear, sweet, child is what happened. The married man you can’t seem to stay away from had me abducted and locked me up in chains and spoke to me about the way you taste while he allowed the terrorist who snaked her way into my marriage bed to clear US airspace. What happened was, the man you screw, betrayed me by freeing the woman who gave birth to you as a bargaining chip. What happened was, the man that defiled you also defiled an organization that I gave my soul to build. That is what happened. What is currently happening is that Fitzgerald Thomas Grant III has made an enemy. The worst kind of enemy. because i know all his secrets. I know where every body is buried. And the greatest weapon I can use against him calls me Dad. […]
Everyone should be afraid. the president should be afraid. And if I were you, Olivia, I would be terrified. I would pick up whatever chips you have left and run as far away as possible from that burning building known as the White House. Run, Olivia, run. Because, mark my words, Fitzgerald Grant, is not going to make it to the end of his term.”
“You wouldn’t dare.”
“Watch me. Start grieving now, Olivia. Rend your garments. Curse the heavens. It will save you time down the road. But first, run.”
That’s it! I surrender! How Olivia manages to not cry from fear, I do not know. His speeches are always epic! And we all desperately want to know what he’s planning! Does he actually mean to murder Fitz? Or is it more of a political threat? Eli turning to Sally’s campaign manager Leo tells a more political destruction, but Eli told Olivia to grieve. Wow. I cannot wait to see what he has planned.
Leo puts thoughts of Olitz into the minds of the media and a circus ensues. In order for Mellie to come out on top, she urges Liv to pick a suitor, any suitor. When Olivia does, choosing Jake to be a “patriot” and date her to serve his country, Fitz is less than pleased. He’ll be even less pleased when he learns that his running mate pick, Nichols, shares a burning torch for Mellie. His decision to choose Jake and Andrew over loyalty is about to backfire largely in his face. Tonight, we’ll find out more about Andrew and Mellie’s secret fling 12 years ago.
Harrison is WIGGED OUT. Adnan Salif sends him veiled threats, causing us and Abby to wonder why Harrison knows how to use a gun. She shows up and all our thoughts about her being a large threatening man are thrown out the window and she and Harrison get busy in his office. What’s she up to? One theory below.
Charlie and Quinn take up kidnapping, but she misses being a gladiator
David Rosen and James are colluding against Cyrus. Secret recordings, double crossing, betrayal, backstabbing, all of it. James is tired of being married to a monster.
I have no idea what Eli and Leo are planning. Is it a trade of secrets for Sally to use in her campaign? Is there a more sinister nature to their meetings? Time will tell.
Here’s the biggest theory of all: I think Adnan Salif is working with Mama Pope. Perhaps all this time. Perhaps Harrison even knows something about it (maybe not consciously). She comes in and wonders, “How we can help each other.” If she was brought into the country by Cyrus to get him to play his game, what agenda would she already have? I think she’s working with Mama Pope and wants to get close to Harrison again (not killing him as he feared) so she can get information on Olivia and Eli and everyone out looking for her. And whatever other plans they have set into motion. We won’t see Mama for a while, I presume, but Adnan will be her eyes and ears in the meantime.
Another theory rolling around the internet is that Mellie’s kids aren’t Fitz’. We already think Big Jerry is the father of the oldest (about 16 years ago) and with this new reveal, it may turn out the child #2 is also the product of another man, this time Nichols. Could this mean what fans have guessed already? That Fitz is sterile and none of the kids, not even Teddy, is his? And we’ve tracked the other two father’s down, who is Teddy’s biological father?
I am so glad Scandal is back! Thanks for reading!
What was your favorite “cover the baby bump” moment from this episode? The man’s head conveniently covering her stomach in the oval? I think mine is her giant purse with the distracting White House badge dangling off it as she walked down the hallway.
It’s Scandal Thursday! I’m working on last week’s Scandal post just ahead of tonight’s episode, but here’s a list of some of the reasons why I was distracted from writing it last week. I’ll name some more in my post when I finally get to rewatching last week’s episode.
Check it out!
14 Things You Do After Watching ‘Scandal’ on Thursday Night – Atlanta Black Star.
Spec Inspiration: How to Raise the Stakes by Challenging a Character’s Identity
Make the character prove his point. Once your character’s identity has been challenged, make him or her prove that the challenge is incorrect.
This idea might help me with my Scandal spec. I’ve been struggling with giving Olivia more to do. She has some role in the major plots of the episode, sure, but a lot of that is easily delegated. I’m struggling with her wanting something, more than “to clear his name” or whatever the case may be. But this helps.
I’ve been trying to find a way to explore Olivia’s relationship with both Fitz and her dad and by using this idea, I can have one refer/label her relationship with the other, then have her rebel against the idea. Haven’t figured out which way yet.
Shonda used this herself, when she had Cyrus question Fitz’ “balls.” Fitz went off and proved himself and went back to Cyrus asking, “How presidential are my balls now, Cy?” The audience loved it, but it also gave Fitz something to do, something to want in that episode. I need to use it with this one.
More spec updates soon! Once I stop distracting myself with other blog thoughts (new blog coming soon lol).
via How to Raise the Stakes by Challenging a Character’s Identity [Read to Write Stories]
[Apologies for no post for last week’s episode, I had some other stuff distracting my brain, making me unable to write a post][This might be my longest Scandal post yet!]
Last night’s Scandal Winter Finale left me at a peak during Papa Pope’s EPIC speech (which I will of course get to later, probably in the most detail of any other plot point) and then kind of rolled down to the end of a roller-coaster. The end wasn’t shocking like last week’s (though that’s typical of a penultimate episode–a shocker ending to get you into the finale) but neither did the episode really have those BIG moments we expect from Shondaland. Last season’s mid-season finale was the Defiance arc–those five major moments in that episode: from Cyrus almost getting James sniped, to Fitz killing Verna–but we didn’t get nay moments that big. Some jobs switched around, and Mama Pope came back (which is not really a surprise), and ugh Quinn. Nothing really big happened, so I was left a tad disappointed. But perhaps it’s better this way! We don’t get another episode until February 27 (which is basically March), so I’m kind of glad this was an episode that wouldn’t have me going through MAJOR Scandal withdrawal. Just minor withdrawal will happen now. 😉
Starting with the Sally/Cyrus arc, as the episode does, I really enjoyed the direction of the fight at the beginning of the episode: the fight overlapping quiet moments of introspection between them. I don’t know that I am sold that Sally would kill him in this moment–he merely threatens to leave her and tell her story on national TV? I am not sold that that would be the push to send her over.
“The devil came in.”
Cyrus seeing that his actions have negative consequences if very important. Usually, his awful actions have no negative consequences for him; but now it’s affected his marriage and killed a man (hope you weren’t eating during the vomit shot).
“Give me your sin. Let me clean this up.”
Quinn needs to get her life together. She needs to pick a side and stick with it. She’s a gladiator, then she betrays them, then she agrees to kill Command for Huck, then can’t do it so she takes her tracker out and sticks with Charlie, then in middle of the night goes BACK to OPA, and is SURPRISED when she is rejected! Then back to B6-13. SMH. GET IT TOGETHER GIRL.
Fitz really wants to be in charge. He tries to use his power to control Rowan and gets in a tizzy when it backfires. So he calls up Jake to take over B6-13. I don’t understand how this happened. Rowan constantly says that B6-13 is above the president, so how does Fitz have the power to have him removed? Has Rowan been wrong this whole time? And Fitz allowing that power dynamic to seem like it’s out of his favor until this moment? Or did he call someone else to have that change made? I don’t get it. And choosing Jake? That’s going to go sour real quick, since they have rival affections for the same woman. What will Jake do with this position? I feel like he would have to eventually make the same choices Rowan did, the choices that he and Huck are scarred over. There must be more to Jake accepting this position; does he plan to destroy B6-13 with his new power? Or will he eventually put Charlie/Quinn in the hole like he was?
Now onto the Fitz/Rowan scene. As I mentioned before, Fitz is trying so hard to play grown. He decides to rub it in Rowan’s face that he is sleeping with his daughter. That’s never a good idea, fool, regardless of whose father you are speaking to.
“Here’s the thing about power, Rowan. It’s always hard to accept when you’ve lost it.” “But you realize you never had any at all.”
Fitz clearly takes this as a challenge. But then why hasn’t he done anything about Rowan before all of this?? If he had the power to do anything about it, it should’ve been done. And Fitz clearly isn’t the type to do anything unless prompted. He didn’t want to get into politics but he was prompted by Mellie and challenged by his father. Just recently, Cyrus questioned his balls, so Fitz made a counter-move to say “How presidential are my balls now, Cy?” He only did what he did in response to someone calling him out on how weak he is. All the signs of a “boy,” as Rowan says.
Watch the moment when Fitz tells Rowan about him and Olivia. The direction is brilliant here: Rowan in the chair, center of the screen coming at him from below, with Fitz dominating the left half of the screen behind him. The angle makes him look large as he hovers over Rowan to tell him about Liv. Fitz wants to have the power, but Rowan out plays him in this moment.
Rowan calling Fitz a “boy” has so many levels. Obviously, one is that it’s true. Fitz has suffered from his father’s influence on him, as well as his wealthy status, and in turn has never grown up. He gets things handed to him, but throws a fit when he finds out about it. But not enough to do anything on his own.
But Rowan calling Fitz “boy” also has some historical connotations as well. To have a black man call a white man [who is in power, but that wasn’t even usually the case] “boy” speaks to centuries of racism. Rowan’s character is probably the most racial context we’ve gotten on this show, between this moment and his “you have to work twice as hard” speech from the premiere.
“For you, it’s always summertime and the living is easy and daddy is rich and your momma’s good looking!”
Excellent delivery of this well known lyric. Really, the whole scene is fantastically executed. Joe Morton wasn’t playing around when he delivered these lines, and that’s all while being tied down in a chair. I don’t know if Season 3 is eligible for any of those TV awards, but I really hope Joe Morton gets some sort of recognition for this role, because right now, he’s the most interesting character on the show for me.
“You have everything handed to you on a silver platter and you squander it!”
Someone on twitter mentioned that this monologue should be every black actor’s audition piece. It really is fantastically performed.
“So you decided the one thing you wanted was my daughter. My child. Mine. What I made. What I created.”
It’s a problem that they are talking about Olivia like she has no autonomy of her own, but that’s built into these characters. They are both characters who possess things. Fitz has things handed to him, Rowan works for them, but they are both still men who believe they deserve power and the things that come with power.
“You love that she is a door marked exit.”
This has been it from day one. Fitz wanted to get caught with Olivia, he’s the one who leaked her name. He built a house in the country they could never live in, they talk about making jam, he constantly wants to run away with her. He is, as Rowan says, using her to fuel his escape fantasies from this life that was 1. handed to him 2. designed by his father.
“She is always going to be the formidable Olivia Pope.”
Said right after he says the apple doesn’t fall far from the tree, Papa makes Olivia formidable, so he can imply he is even greater than that.
“Don’t use the person that I made to make you into a man. You are a boy.”
“You disappoint me as a suitor for my daughter’s hand.”
I was lightheaded from that speech. It was so well delivered and hit some great points about Fitz and Liv’s relationships.
After this moment, the episode left me kind of meh. Mellie is ruthless, Quinn is dumb and can’t pick a side, James wants to file charges against Sally or Cyrus, Maya used Rowan to kill 300+ people… for fun? As an act of terror that lies on the side of the government rather than a terror organization? Rowan is released but then fired as Command in favor of Jake. James decides to stay with Cyrus and play some power games of his own to get White House Press Secretary. Leo, Sally’s wanna be Chief of Staff, also doesn’t bat an eye to Sally murdering her husband, he wishes he’d been called. Definitely Cyrus-light. Rowan continues to evade Olivia’s questions, but I’m not sure why at the moment.
And Maya escapes from the plane only to still be in DC, looking like Olivia Pope’s mother (hair, fly jacket, GLOVES), outside the White House with her burner phone. What is she planning? Has she already done it? Is she going after Rowan? What has she been planning for the last 20+ years? But I couldn’t help but feel this moment wasn’t enough for what we expect to end on in a Shondaland episode. But like I said earlier, it’s for the best, so that my withdrawal isn’t as strong.
Oh, another moment that I loved was the one between Eli and Olivia. When Liv lip quivers and realizes the truth in front of her dad, he doesn’t even move. but his acting is still impeccable?! How does he do it? He literally just stares into space, but you can see his jaw clench and the tears in his eyes and that speaks so much. So much about his love for his daughter, which I’ve seen all along, and about being played by his wife, and the effects his job has on other people and himself. Maybe he needs this break from being command.
ALSO, when Eli flashes back to the night Maya “dies,” we see him crying in front of the TV. We’ve been showed this before and assumed it was because he loved his wife. But now we see that it was because of all those people he had to shoot down. When he said in the last episode that he got no pleasure in taking a life, we scoffed, but deep down, it’s true. He didn’t cry for Maya (or perhaps he cried for knowing she betrayed him all those years), but he cried for the plane crash victims and he cried for what he was about to do to Olivia. Again, Eli/Rowan/Papa Pope is (clearly) my favorite character and it’s moments like these that cement that opinion.
“Your father, he is not our hero. He is our demon.”
“You’re not a gladiator anymore.”
“I’ll see you real soon.” –> Shonda’s words to us fans.
I can’t wait to see how they continue to hide Kerry’s Washington’s pregnancy!
We won’t get another episode until February 27, so hang in there, gladiators! We can do this! If anything, we’ll still make Scandal trend on Twitter on Thursdays.
See you real soon, gladiators!
I don’t even know where to begin! It’s amazing how you can guess certain plot points (and plan to *finally* try to write spec scripts based on them) and STILL be shocked when they actually occur on the show.
Mellie has long been the underdog of Scandal since the beginning. People fight over #TeamFitz vs #TeamJake for Olivia’s affections, but rarely is anyone on Mellie’s team. This season we’ve seen a different side to Mellie’s character (including the ever memorable Drunk!Mellie scene–we’ll all have to go back and watch that for hints!), but tonight’s episode takes the cake!
We flashback 15 years to before Fitz was in the political eye. His father is awful as usual and Fitz doesn’t want to run because of what he did as a marine/Operation Remington. “Big Jerry” continues to berate him and take the credit for everything he is (“That’s all you are is my son…not as smart…I made you…I can destroy you.” ), leaving Fitz unwilling to run for office, despite Mellie and a bearded (in more ways than one) Cryus’ pleas for him to do so. Mellie tries to talk to Big Jerry, but in his drunken state, he rapes her. It’s awful and Bellamy Young pulls off the horror of the act and walking back into her and Fitz’ bedroom just right. The choice of her full length clothing, turtleneck included, and no makeup is a classic but heartbreaking choice. But Mellie soldiers on, dedicated to the cause of getting Fitz elected. Weeks later, Mellie tells Fitz–who’s decided to run for office after Mellie gets Jerry to back him up–that’s she’s pregnant. Fitz knows his father’s going to make them name a boy after him. And the entire audience shudders.
I had a theory that Teddy wasn’t Fitz’ kid (which is still a valid theory, not yet proven), but as @DetroitDelta15 on Twitter thought–what if Fitz is infertile? None of those Grant children could be his. This certainly explains why they have been shipped off to boarding school all this time; Mellie must have a hard time looking at them.
Mellie’s portion of the episode was about sacrifice. She says to Fitz, that he doesn’t understand what she’s given up for him, given away. (Again, I need to rewatch the drunk!Mellie scene for clues in that speech.) What has Fitz given up? For Mellie? For Liv, even? He “threatens” to give it all up for Liv all the time, but he hasn’t. He’s still the president, they are not in Vermont making jam. He’s still married. He still calls Liv. He has it all. Liv gave up her relationship with Edison and is not fully committed to the one she kinda has with Jake right now, because she’s still hung up on Fitz. We see what Mellie gave up for him. When will Fitz have to sacrifice anything?
As if this wasn’t enough for one episode, Shonda Rhimes pulls another one on us in the other half of the episode. While Quinn tries to get down with Charlie from B6-13, the Pope and Associates gang look into Maya Lewis’ death. They determine that someone was brought off the aircraft before it took off; everyone goes looking. They track down someone who might’ve seen the passenger who was taken away, but Quinn kills him because she was distracted by Charlie’s lips. He told her she was drugging the guard, but the poison kills him instead. Quinn has been initiated into B6-13. Clearly by her reaction after the man dies, she isn’t ready, but we’ll see what Rowan’s plan for her is.
Speaking of Papa Pope, he goes to a prison looking for the passenger who got let off the plane. Shoddy prison blanket unrolls and it’s none other than Maya Lewis! Who has been alive this WHOLE TIME! Many fans knew it, but why is she in jail? Why is she under the name Omar Dresden? Why didn’t she seem too surprised to see Eli?
Going back to the theme of sacrifice, I’m sure it will be explored more next week, but it is clear Maya Lewis-Pope sacrificed something. Eli did too, if he loves her. If he doesn’t, he still gave up Olivia, who he clearly loves. They both sacrificed their happy family–for what? Hopefully we’ll find out next week.
“How am I? I’m surrounded by murderers. That’s how I am.”
“I’m standing in a graveyard made by people I thought I loved.”
“I love you.” “So what?”
“The pieces of myself I have given away.”
“Our daughter has been asking about you.”
We’ll have plenty of time to discuss Mama Pope’s survival next week. This week I want to know: Are you #TeamMellie? What convinced you? Was it her revealing past in this episode? Or are you yet convinced she deserves our sympathy?
sidenote: I really did think about writing a Scandal spec today and was legit thinking of 1. Quinn trying to kill someone and either doing it and freaking out or killing the wrong person. Either way, she is and will always be in over her head. It also featured Liv discovering Fitz wasn’t Teddy’s dad and Mellie needing Liv to “fix” it for her. That’s as far as I got. Crazy how it just got shot down basically. #sigh #tvspecwriterproblems
First: Click here and skim Why Is ‘Sleepy Hollow’ A Hit? – Forbes, though I basically summarize it below.
Here are some reasons the Forbes gives for the success of my favorite new show of the season, Sleepy Hollow and some counterarguments.
1. “Choosing a young person, Emily Murray, as ‘Social Media Producer.'”
2. “Using Facebook and Twitter” (duh? What else would you use?), or I guess the point is knowing where your fans are hanging out (which is an excellent point–Castle, Doctor Who, and Supernatural fans rule Tumblr, Scandal and Sleepy Hollow are Twitter hits, no one is really using Facebook for this kind of thing).
3. “Collaborating internally.” I guess this means having the social media team and creatives and marketing people all work together to have gifs and images ready for the twitter experience; all of that requires multiple departments to work with the social media guys.
4. Focusing on the product, not the company.” or I guess, creating a community around the show not the network, but this is what every show does. Every show has a twitter account and makes it about the show. This isn’t a special thing Sleepy Hollow is doing.
5. Getting the actors to tweet. Yes, this is a huge helping, which they learned from shows like Scandal. Get everyone on board and people will retweet behind the scenes info or Orlando Jones being a hilarious doofball mentioning fanfiction and gifs in his tweets.
6. The twitter account having a back and forth “fight” with the twitter account from rival network show Elementary. Yes, this was funny to see and contributed to word of mouth.
But the article, which is definitely tech/social media focused, didn’t at all think about the show or the fans it draws. Other shows do these very same things. They have show specific twitter accounts. They try to get their actors to live tweet. They have the marketing department draw up designs and posters that work with their live tweeting efforts. These aren’t the only factors.
The audience is a major factor, and who is in Sleepy Hollow‘s audience? The same kinds of people who are in Scandal’s audience. Young black (females mostly, but some males who reluctantly admit they watch either or both shows) people (what these young people call Black Twitter). The media hasn’t yet caught on that young African-Americans LOVE Twitter. And if you give us a show with a black lead, we will watch that show (because we don’t have many options with that factor, so we watch the ones that do until there are more options). And we will tweet about it to our other African-American friends on Twitter. And shows like Sleepy Hollow and Scandal, both with a black female lead, will skyrocket to the top of the tv ratings and social media discussion charts. Oh, but we don’t talk about this being a factor, do we? Nor do we discuss the fact that the person doing the most tweeting and connecting with the fans is Orlando Jones, a person of color. These things are certainly important.
Other shows have tried to mimic the formula of Scandal. They’ve done the same social media things that Sleepy Hollow is doing. And yet they’re not ratings phenomena. All because the networks and media coverage are hesitant to acknowledge the real reason these shows are blowing up: because people want to see diversity on their TV screens. They are more likely to tune in. They are more likely to tell their black/asian/hispanic/white/etc friends about it. And then the show get super popular and gets renewed for the next season 4 episodes in, like Sleepy Hollow did.
Don’t let social media take all the credit for this show’s success. I know that’s what the article was about, but in a discussion about social media, you should discuss the people who use social media, and their various idiosyncrasies. That’s the real way of understanding how to use it and what platforms are best.
“You get to ask me one question”
We’re gonna need more than one question to make it through this week’s episode of Scandal, but I’ll start with one from each major plot point and go from there. No guarantees about the amount of questions I ask. Please don’t kill my friends or try to recruit them for your evil, secret government agency, thanks.
This week’s episode went through these major storylines:
Liv and Operation Remington: Why does Fitz refuse to acknowledge Operation Remington to even Olivia—even after finding out it was her mother?
I had a feeling that Fitz didn’t know about Olivia’s mother being on the plane, but it concerns me to no end that he refuses to acknowledge his part even after he knows about her mother. Liv already knows the worst of it. She knows more than HE did, seeing as how he didn’t know about Mama Pope (Maya Lewis is her name). And yet, despite his claims of how much he loves her and they know each other, and it could be how it was before, yadda yadda, he doesn’t admit to the operation and he doesn’t even say sorry or console her. There must be more to his side of the story.
This Remington storyline is a clear mirror of the Defiance storyline with Liv at the center: everyone is plotting around her to keep her from knowing some awful truth about how she got where she is today. But Fitz needs to learn that he can’t throw that in her face anytime he wants; not anymore. This is about her mother. Who he shot down in the sky. He may not want to talk about it or the circumstances, but if he wants Liv to ever speak to him again, he’s going to need to come clean about Operation Remington once and for all.
But turning to Papa Pope for a moment: I truly believe those were real tears he shed when he was watching the news of the plane crash. What I want to know is: was he in charge of B6-13 then? He says he didn’t order the plane down. I believe him (not just because I believe in his love of Olivia, and I hope to extend that to Maya, but because of Joe Morton’s acting choice of shaking his head no before he verbally responded to Olivia’s question over the phone (homegirl needs to just chug that wine from the bottle—saves time on washing wine glasses)). The “no” was a visceral response to the question, probably not even conscious. But he can’t talk about the rest: What did he know when it was being planned? Could he have stopped it? Did he try? Knowing they killed his wife—and subsequently destroyed his relationship with his daughter—why did he accept command of the organization (or continue as leader if he was already in charge). Side note: I was DONE after seeing Joe Morton in that hairpiece and moustache! Especially knowing that he didn’t look that way back on A Different World. lol
12-year-old Olivia’s love of Fruit Loops makes me wonder if she can ever eat them again, all things considered. It might be a nice moment, to see Olivia have a box of Fruit Loops in her cabinet (but no milk in the fridge…).
Baby Huck/Charlie: What is Rowan’s plan for Quinn?
Quinn is spiraling out of control! Huck gave her the taste for darkness and she’s grasping at it. It’s interesting to me that Rowan/Charlie think they’ve “planted a seed” in Quinn that they must watch bloom, when this has been growing in her this whole time with no one tending to it but Quinn herself. They didn’t introduce the gun to her, she bought it on her own. Rowan told Olivia he wouldn’t kill her friends, but he didn’t say nothing about turning another one into B6-13! (I think fans, and possibly Olivia, won’t mind as much about this one. Baby Huck has been getting on everyone’s nerves since she arrived… I’m surprised the whole office doesn’t groan whenever she speaks.
I wonder if she will be trained to replace Jake’s would be assassin. Maybe B6-13 operates with a Token Female…
Actually, I would LOVE for Quinn to join B6-13, because then she’d be able to destroy it from the inside (not because she’s awesome, but because it would just implode due to her presence, annoyance, and incompetence).
Harrison/Cy: Will Cyrus’ threat spur Harrison into action against Olivia?
Finally some Harrison backstory! It’s been a long time coming that we find anything about Harrison Wright. What I understand so far is: Harrison was a used car salesman. Then he was involved in insider trading. This man, Saliff, is out of the country and if he is allowed (?) to return, he will kill Harrison. I suppose Harrison sold this man out to save himself. We know that Olivia “fixed” it for him. If he allows Cyrus’ threat to move him against Liv, Liv won’t fix him twice. But I think there must be more to it—they waited so long to give us a Harrison storyline, and Olivia trusts him with her company but then snubs him every time he asks her a question. I wonder what the whole story could be. I do know that Cyrus wildly underestimated Harrison’s loyalty to Olivia, but I don’t know how much more of Olivia’s dismissals Harrison will take.
The Election: How does Mellie plan to use the wandering First Vice Husband against Sally’s betrayal?
This part of the storyline was mostly set up for future chess pieces moving around. Josie Marcus’ bits were great, I know her interview with James will go viral on tumblr, due to the strength and truth of her comments. But the Sally/Mellie/Cyrus parts of the game were just pawns being moved into place. Mr Vice First Husband (Heroes’ own Horned Rimmed Glasses!) is making eyes at Mellie; but if he doesn’t know already, he is going to learn that Mellie will do whatever it takes to keep Fitz in office (including “rolling up your whore and unrolling her at your feet” !!). Whatever Mellie’s plan is, it is going to be devious.
“Icarus” is an interesting title choice. Obviously it involves flying and something crashing down to the ground, but it is also about parent/child relationships, escaping imprisonment (feelings of being trapped), and a tragic downfall. These themes apply to many characters. Fitz is trapped with Mellie (and kind of trapped in the White House by Mellie and Cyrus and the ghost of his father’s influence on him. Liv is trapped in the situation with her father, she doesn’t want anything to do with him, but he keeps appearing in her life and if she doesn’t stick with him, he may kill her friends. Obviously the plane crash is the prime example of the myth in action; did Maya get too excited about something for her own good and it led to the plane “needing” to be shot down by B6-13? Did someone ignore the warnings they were given to not fly too close to the sun? Is the sun B6-13 or something else?
I suppose they’ll start covering Kerry Washington’s baby bump with large coats, because I highly doubt Olivia will get pregnant and they’ve already established her wardrobe as a symbolic device.
They took all episode to get to Fitz learning that he killed Olivia’s mother. His eyebrows tell me he clearly didn’t know, but he schooled his expression real quick and continued to not acknowledge Olivia’s question. What does this mean for the coming weeks? Let the torturous wait til next Thursday begin!
Please , please, please check out my (condensed) version of this post on UnderScoopFire.com: Scandal ‘Icarus’ Discussion: “You Get One Question”
- ConStar Watches Scandal “More Cattle, Less Bull” (constarstudiestv.wordpress.com)
- Scandal Scoop: Find Out Who’s Playing Olivia Pope’s Mother! (eonline.com)
- Shonda Rhimes Knows Where This ‘Scandal’ Will End (npr)
- Scandal ‘Icarus’ Discussion: “You Get One Question” (underscoopfire.com)
As usual, this week’s episode of Scandal required me to sit in shock for a minute before I could figure out how to approach this post. The first step is immediately rewatching it. I need to wait to reveal some things from this episode, because the post blurb appears when I link it and I don’t want to spoil. Read more
(*First* Check out the new header! Yay!)
I never posted last week’s Scandal post (I watched it late, and was too busy and tired to do anything with it), so here are some of my live-tweet comments from that episode before tonight’s begins! These are mostly just my tweets from last week with some added commentary or sentence restructuring, but not as coherent or detailed as usual.
The scene with Huck at AA was brilliantly directed with the flashes to him killing the guy and then Baby Huck there! girl! go home! you don’t belong there! but maybe it will prevent her from becoming full on Huck. Love the juxtaposition with “Mary Jane”!
Baby Huck wants Huck to be her boo but you ain’t ready for it. you not ready not one bit.
Oh Huck, why did you go to the funeral? is this an element of his addiction?
i’m TELLING YOU THIS HAS SOMETHING TO DO WITH HER MOTHER SOMEWHERE IN THERE! She died in a plane crash. all of this is about pilots&stuff!
“Enough! take a walk cyrus!” ooh! fitz tryna get back in with HIS main boo!
Liv’s boys at her door!
“YOU HAVE TO STOP ASKING QUESTIONS!” yes, baby huck, please! Huck is calling you out on your weird interest in his life! “you are interested” “i see that look in your eye”
“ex-boyfriend the president” yeah ok jake, i see how you do that lol!
“i’m not crying. i’m trying not to scream.”
stop it foley…. you’re getting me #teamjake right now…
Fitz has a radar. he mustt. he can hear her kissed lips over the phone or something. #scandal like i said “ex-boyfriend?” yeah ok jake
YO JAKE DOESNT PLAY!! Calling out over the phone. This is “Say My Name” right now! “If no one is around you say baby I love you.”
A tweet from “Lina CL @the_wildseed Who said Fitz was in B613? I think yall might be right…”
We shall find out more about that last comment this week I suppose!
Hopefully my blogging gets back on schedule after basically a week of hiatus…