I’ve been slacking on the #Clicks lately, I know. I’ve been either writing elsewhere, trying to finish my spec script, or watching Pulp Fiction for the first time. Also, haven’t found that many worthy articles. But, here are a few things, including some shameless self-promotion.
This just in! The Emmy’s have cleaned-up their category rules: comedy’s are now defined as series 30 minutes or less (blocking shows like Orange is the New Black and Jane the Virgin from being nom’ed in the Comedy category), but have also expanded categories selections from 5 to 7 nominees to make room for the crowding. As James Poniewozik said,
<blockquote class=”twitter-tweet” lang=”en”>
Appreciate Emmys trying to clarify, but real issue is a lot of best TV today is neither strictly drama/comedy http://t.co/RmlLrEP8ZD
— James Poniewozik (@poniewozik) February 20, 2015
There simply just needs to be a dramedy category (adding two slots per category basically gives Dramedy 4 slots if you just include Best Comedy/Drama. Instead of squeezing everyone between two, spread the love between three!), as I explain here: The Emmys Need New Categories. The article also says that “guest” stars who are in more than 50% of the series episodes are no longer eligible (which, though I love her, is how Uzo Aduba won for OitNB. Not fair to actual guest actors and not fair to her for not being allowed to submit for supporting actor!).
This LA Times article discusses how the diverse TV shows this year—and their phenomenal ratings—means that people are finally seeing that black shows (by nature of the shows presented) and diverse casts are winning this year. From Scandal beginning the wave to How to Get Away with Murder, Empire, and Black-ish all seeing increases—some record breaking—in their already high, premiere ratings, does this mean execs are finally seeing the value in diverse content? I surely hope so. And as much as I love Shonda Rhimes, I hope she is paving the way for more opportunities from other people of color and that ABC in particular aren’t just going to continue to default to her for their diverse offerings. Follow her example and find others to nurture and support and give their own platform. Though written before Fresh Off the Boat‘s premiere, I know that show also has premiered with fantastic numbers that I see increasing when competing time slot shows Parks and Recreation is over and The Flash is on hiatus for a month.
The Dangers of Binge Watching. Loved this humorous take on how addicting marathoning and bingeing can be. We’ve all been there… Binge Hangover.
<iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/ohtRFAat-WM” frameborder=”0″ allowfullscreen>
I wrote ‘In Defence of Felicity‘ because of an article that boiled her arc on this season’s Arrow down to being “a woman scorned.” The author seemed upset that her writing had reduced her, but I felt that the post reduced her and didn’t see that there’s more going on in Felicity’s head than just her failed relationship with Oliver. Click through to read my thoughts and check out the original piece.
This week’s recaps by yours truly: Castle, Arrow.
Finally, I’ll be hanging out over on the Entertainment Weekly Community, where fans get to ramble about and write recaps for TV shows they love. It’s a pretty exclusive community, so I’m really excited to join in! For my first post, I wrote about the similarities between two of my favorite shows: Angel and Arrow. TV side-by-side: ‘Angel’ and ‘Arrow‘. I’ll also be doing Nightly Show round-ups and Angel nostalgia recaps.
Tag: orange is the new black
Who Are the Emmy Voters?
Who are the people who vote for Emmy awards? Because who in their right mind sees Tatiana Maslany pull of five different roles and not give her an award for it? Seems to me the Emmy voter committee might need a diversity upgrade, like every other prestigious institution.
Emmys: 'Orange Is the New Black's' Uzo Aduba Makes a Plea to Voters Guest Column – The Hollywood Reporter
Emmys: ‘Orange Is the New Black’s’ Uzo Aduba Makes a Plea to Voters Guest Column – The Hollywood Reporter.
I’ve been neglecting this blog (and other writing) recently (life is getting super busy and I haven’t quite adjusted yet), but Emmy season is fast approaching and I hope to have more time to discuss shows as nominations approach in July.
So I may not be back, but I’ll hopefully post links to articles like this one. This one is especially important because it’s by a black actress making the case for diverse shows to get more Emmy recognition. Her show, Orange is the New Black, is of course an interesting contender: breaking out of the network and even premium cable mold, but it’s also female driven and has a lot of strong characters of color with increasingly important roles.
Check out the article and I’ll hopefully have more to share soon!
- “The last series with a non-white cast to win the comedy Emmy was The Cosby Show in 1985.”
- “The last woman of color to take the comedy actress prize was Isabel Sanford (The Jeffersons) in 1981.”
- “Today, with the groundbreaking impact of Orange Is the New Black, it’s time for Emmy to not only redefine what a winning comedy is but also what “Emmy worthy” looks like.”
- I love that she mentions Khadijah James (Queen Latifah) from Living Single.
Link: Who Creates Drama At HBO? Very Few Women Or People Of Color
Mo Ryan of the Huffington Post breaks down cable/premium channel lack of diversity (for both women and PoCs) in the last few years. The numbers are awfully lacking any kind of diversity. We think the networks are bad with this stuff and that premium/cable is the way to go, but their numbers are somewhat worse! Check the quote and click through for the article.
Audiences can and should take individual writers to task for problems they perceive in a given show. But as long as this debate is limited to individual dramas, and doesn’t consider the entities that commission and distribute them, the conversation is likely to go around in circles indefinitely.
via Who Creates Drama At HBO? Very Few Women Or People Of Color.
Link: Shonda Rhimes doesn't like that there needs to be a DGA Diversity Award | Inside TV | EW.com
Shonda Rhimes on her DGA Diversity Award: ‘We’re a tiny bit p-ssed off that there has to be an award’ | Inside TV | EW.com.
“It’s not because of a lack of talent. It’s because of a lack of access. People hire who they know. If it’s been a white boys club for 70 years, that’s a lot of white boys hiring one another. And I don’t believe that that happens out of any specific racism or sexism or prejudice. People hire their friends. They hire who they know. It’s comfortable. You want to be successful, you don’t want to take any chances, you don’t want to rock the boat by hiring people of color because, well, look at us,” she said. “Both Betsy and I like the world that we work in to look like the world that we live in. Different voices make for different visions. Different visions make for something original. Original is what the public is starving for.”
[…] The DGA, by the way, is the only Guild giving out this type of award in an attempt to draw attention to the problem, which I think is kind of badass.”
Shonda’s right, there doesn’t need to be an award, but maybe if more guilds/associations in the media gave out these kinds of awards, more people would strive to be more diverse? That’s really hard to say, and you don’t want people doing it who aren’t really in it for simple diversity, but it might help.
If nothing changes in the next year, Shonda might be getting the award again. Thankfully FOX seems to be sticking with it’s diversity initiative and shows like Sleepy Hollow (for network) and maybe Orange is the New Black are two other shows with diverse casts that might be honored for such a feat. But there simply needs to be more diversity in the media, but especially an everyday sort of medium like television. Diversity needs to be in people’s homes so they accept it more in the world.
What I Watched Today
Today I finished Orange is the New Black, after starting the season yesterday midday during a sick day at home. Interesting show, great supporting characters, I’ve grown to dislike Piper more and more as the show progressed. Daya, Taystee, Poussey, and Black Cindy are some of my favorites characters. The pre-prison flashbacks were such a small taste of these characters and I really want more of how a lot of them got to prison and their normal lives.
I also watched:
Whose Line is it Anyway?
Brooklyn 99 – Hmm. Amusing new show. Enjoying the diversity (2 black people AND 2 hispanic characters). Mike Shur is a plus, as a big #Parks fan. I’ll keep this on my DVR.
New Girl – So glad it’s back! It was sooo good and I LOVE Nick and Jess! and Winston was FANTASTIC and oh Schmidt. But the show has not lost it’s greatness over the summer.
The Mindy Project – Well. There were some good moments, but as usual, you can’t air Mindy after New Girl, it’s not as funny and for me, constantly fails in comparison. Sorry Mindy. Also, I’m bored with James Franco. *rolls eyes* But welcome back, Mindy.
The Daily Show
The Colbert Report
The Queen Latifah Show – I might check this out regularly. I don’t watch a lot of talk shows, but today’s interview with Will was funny of course and the segment with Will and Alex Trebek was inventive and fun. I still need to watch the rest of the episode though…
A Different World – expect this to go on my daily list a lot, since I love it and it’s right there on my DVR.
[New segment I will do to help me write everyday/more often. As the Fall 2013 TV comes along, I will try to at the very least, post what I watched each day. If I’m feeling write-y, I will add opinions and such. Though it may only be: “I’m so excited for this episode!” (if written before) or “this episode was fantastic!” (when written after). Hope I can keep up and keep going with this blogging thing. =)]