This week’s Castle had all eyes in the sky as Castle solved a mystery on his way to London. After last week’s jumble of an episode, it was refreshing to get a solid plot with great suspense and well used supporting characters. Though I will add in that Castle’s seeming hesitance about solving the crime in the air and possibly preventing a terrorist attack would be easier if he KNEW WHAT HE DID FOR TWO MONTHS. Still not over the ridiculousness that if Castle saved the world, that he would choose to forget. But anyway, check the recap:
As if we didn’t already know, Castle has the Angela Lansbury curse, where murder follows him everywhere he goes. On this week’s episode of Castle, he cashed in his frequent murder miles and solved a case in the sky.
Castle and Alexis are on a trip to London (on a known to be deadly Oceanic Air… no wonder they come across trouble), where Castle will be speaking at the Sherlock Holmes Society. He’s a bit upset that Alexis won’t come with him, but soon they have other concerns as the air marshal is found dead in the cargo hold. The pilot thinks Castle’s assistance is necessary: “You’re the closest thing to law enforcement we have on this plane.” “Which itself is cause for concern.”
In James Cameron’s “Avatar,” a white man once again plays savior, this time to a planet of tall blue aliens unambiguously suggestive of Native Americans. What if they’d cast Michelle Rodriguez, who plays a stereotypical no-nonsense doomed Latina side character, in the lead role instead of Sam Worthington? The context of an interesting movie about race is already in place. Without a single word changed in the script, “Avatar” would have taken on layers of new meaning, opened conversations that mainstream, white cinema has not even approached. […] Instead, though, we’re left with a cliché: the same old really nice white dude, filling a void in himself by appropriating and then saving another culture. What we could’ve had was something new: a story of intersectionality and solidarity across interplanetary colonialism.
via Whitewashed TV isn’t just racist. It’s boring! – Salon.com.
YES THIS ALL OF THIS!
There is constant complaining about the same old stories being told, especially in Hollywood. A very, very simple solution to spice those same old stories up, is to cast PoCs as the main characters. Then it becomes something new that we haven’t seen before.
The article speaks heavily of Sleepy Hollow; if Abbie had been a white guy, it would have been sooo boring–kind of how Almost Human felt to me. Karl Urban being the primary lead was boring. What if they’d switched the roles and Michael Ealy was the human, Urban the robot? Then it might have been a different story. I haven’t seen past episode 3, so I don’t know if Michael Ealy’s character has to deal with race at all in the futuristic world of the show, but it would have been prudent to introduce it in the first three episodes, since him being cast as a black man is a big deal in the real world. But since it wasn’t really mentioned at all, I think I got bored (for forgot to set my DVR to record all…) and wasn’t interested in coming back. I don’t need race to be a discussion, but it shouldn’t be glossed over. (this isn’t even what I started to talk about after I mentioned Sleepy Hollow above…)
It is so simple to change the dynamics of the same old stories we’ve heard before by changing the racial and sometimes gender identities of the characters. I don’t watch Elementary, but it took guts to cast an Asian woman as Watson, and look how that turned out for them. The show is great. They knew they couldn’t follow in the wake of Sherlock, so they changed the story in a very simple way to make it more interesting to people who have seen Sherlock and the RDJ Sherlock Holmes movies and might be bored with the same old “two white guys solve crimes” story.