Tag: the cosby show

Link: How To Make It As A Black Sitcom: Be Careful How You Talk About Race

Link: How To Make It As A Black Sitcom: Be Careful How You Talk About Race on Huff Post Black Voices
Several people have sent this to me and I want to share it here. I haven’t been able to dissect it just yet, as it’s a long read, but it looks to be a really, really in depth piece discussing several decades of black sitcoms and comparing their successes and the ways in which they handle race. All of this as black-ish finds its legs and receives a full season pick-up.  There are some great graphs and discussion of a proposed “era” system of black sitcoms from the 50s until now.
 
Check it out.

Emmys: 'Orange Is the New Black's' Uzo Aduba Makes a Plea to Voters Guest Column – The Hollywood Reporter

Emmys: ‘Orange Is the New Black’s’ Uzo Aduba Makes a Plea to Voters Guest Column – The Hollywood Reporter.

I’ve been neglecting this blog (and other writing) recently (life is getting super busy and I haven’t quite adjusted yet), but Emmy season is fast approaching and I hope to have more time to discuss shows as nominations approach in July.
So I may not be back, but I’ll hopefully post links to articles like this one. This one is especially important because it’s by a black actress making the case for diverse shows to get more Emmy recognition. Her show, Orange is the New Black, is of course an interesting contender: breaking out of the network and even premium cable mold, but it’s also female driven and has a lot of strong characters of color with increasingly important roles.
Check out the article and I’ll hopefully have more to share soon!
Highlights:

  • “The last series with a non-white cast to win the comedy Emmy was The Cosby Show in 1985.”
  • “The last woman of color to take the comedy actress prize was Isabel Sanford (The Jeffersons) in 1981.”
  • “Today, with the groundbreaking impact of Orange Is the New Black, it’s time for Emmy to not only redefine what a winning comedy is but also what “Emmy worthy” looks like.”
  • I love that she mentions Khadijah James (Queen Latifah) from Living Single.

Why Are Black Sitcoms Less Available to Us?: Black Sitcom DVD/Streaming Distribution Disparity

A discussion on the lack of availability of black sitcoms via DVD or streaming services. Includes a chart of where you can access certain black sitcoms.

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ConStar Studies 90s Black Sit-Coms


I just finished watching A Different World. Despite being such a huge fan of The Cosby Show, I’d never watched the spin-off. I finally have made my way through most of the episodes (thanks to YouTube, since only season 1 is on DVD right now). And I loved it. It was well-written, fun, funny, had great character development, and tackled the issues of the day without losing the above. All in all, it was just very real
It wasn’t perfect; the season 1 to 2 cast/production staff shake-ups in cast were definitely a game changer, some other characters went in and out, Jaleesa married Col Taylor (which I was not a fan of), and then completely disappeared, and there are a few really weird/corny dream sequence, cast-talent show episodes that I kind of skipped through. Granted, I spent most of my marathon pining for Whitley/Dwayne scenes anyway, but even that was handled pretty well for a will-they/won’t-they arc. The lead up to their involvement wasn’t rushed or forced (unlike most of Ron’s cast love interests)–it helps that even when Dwayne was supposed to be hung up over Denise in season 1 and they were on a date, he still had globs of chemistry with date-crasher Whitley–and when they got to together, they actually stayed together for several episodes, across a season finale, before the inevitable split up. And when they got back together, they were together for good (one break up is fantastic numbers for a WT/WntT. A good amount of tugging at our hearts (though I’m sure over 6 real-time years it may not have felt good) without overdoing it like some shows (the Ross/Rachel effect I guess).
A Different World had a diverse African-American cast (meaning diverse amongst the black community; there isn’t just the token, cool, black best friend), good writing, and actors with great chemistry with one another. And it raised issues of black history, racism (on both sides of the divide as well as within the black community), classism, war, politics, date rape, AIDS, and other issues that were (and unfortunately still are) plaguing the black community. There’s nothing else like it. Which leads me to wonder, where are the shows like this today?
We had a really good run of quality, family friendly, uplifting black television in the early 90s. The Cosby Show, A Different World, Family Matters, The Fresh Prince of Bel-Air. I could be missing some, but these 4 are the pinnacle. Of course there was also Living Single, Martin, The Wayans Brothers, The Jamie Foxx Show, and a few other shows towards the late 90s, but these shows were more silly, general sit-coms. They were escapist and pure fun. That’s not bad, it’s just not my point. [I’ll add ABC’s My Wife and Kids to this list, though it started in 2001, as somewhere between the classic sitcom nature of a show like Martin and the life-lessons of The Cosby Show. It did try to have life lessons but really did err on the side of silly a lot.] They also aired on UPN and The WB, which is again, not bad, but the other 4 aired on 2 of the 3 major networks of the time, in a day when FOX/UPN/WB were just starting out and there weren’t cable networks dedicated to black television
And this is part my problem, my concern, really. Those shows (which were a part of NBC’s juggernaut Must-See-TV line up and ABC’s super-popular TGIF block) were hits of their day and were reached by millions of audience of all colors. Now, we have several channels dedicated to black television (both old and new, reality and scripted) and I can’t say that any one has created a show like the 4 I’ve been mentioning. And there aren’t any black sitcoms on network (the big four) television at all right now (if I am missing one, please inform me)(and someone tell me what’s on my9 and CW, they’ve been focusing on white teenage supernatural shows, no?). We have all this television space (and, increasingly, YouTube and Netflix and Hulu space) and still no one has created shows like these. Well-written, focusing on educated black people who want to know their history and raise the lowest common denominator of entertainment? That’s seems absurd. I had a Facebook status with the question of why shows like ADW don’t exist today, and someone said because I hadn’t written it yet, and while I appreciate the challenge and hope to someday do so, where are all the other people like me who miss these shows and want people to watch more than Love and Hip Hop (which I am disappointed to see is not at all like the movie Brown Sugar)?
Elizabeth Meriwether’s (New Girl) tweeted this the other day and I think the answer is related to my question.
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Some of the responses were that we started being honest with ourselves and that 9/11 happened. These things could be true. I also read somewhere (I can’t cite the source right now, sorry) that especially in this post-9/11 world, we went from utopian fiction and ideas of the future to dystopias and world collapse. Probably why zombies are at an all-time high of popularity right now. These things are probably related to why we don’t have uplifting black sitcoms on right now.
Maybe I’m just a family friendly (but not corny) kind of girl. But shows like Cosby, ADW, Fresh Prince, and Family Matters showed the world and young kids (both of other races and blacks ourselves) that we are more than just the stereotype. And while a lot of people say that the things those shows presented aren’t reality, if we don’t see them exist anywhere, how can we make them a reality? ADW made kids not only want to go to college, but Historically Black Colleges. Cosby showed kids that we could be families of doctors and lawyers or even get our PhD in Education while being an actor/comedian. We can grow up in Philadelphia and become the fresh prince and then the number one movie star in the world (as a black lead in several sci-fi films at that, something no other black actor or actress has pulled off (well, Sam Jackson and Zoe Saldana too. My interest in black sci-fi is another blog post). Black kids are nerds too (though Urkel style has been adapted by hipsters now) and we can accept that and be happy with it. Despite them not being reality, they can lead us to a new reality. This is why we need shows like these on today. The other stuff isn’t bad (a lot of the reality is bad, #scriptedtelevisionforlife) but it doesn’t challenge us or teach us anything. These shows did. And I want more like it.
But I suppose, as they say (paraphrasing): The [television show] you want to [watch] doesn’t exist? Create it.
Related post: Why Are Black Sitcoms Less Available to Us?

Making Diversity the Norm, a Quote

Aisha Muharrar, a writer for NBC-TV’s Parks and Recreation, understands our nostalgic longing for programs that reflected us in authentic characters and situations that brought laughs without compromising our dignity. “I loved watching The Cosby Show, Living Single, Fresh Prince and Family Matters when I was a kid. But so did all my white friends. They were just good shows we all enjoyed. The answer is to make it the norm again so two shows don’t have to be the representation for all of black culture.”

The Shonda Rhimes Effect