It’s been awhile hasn’t it? Peeking out of a sort of hiatus (life stuff and new jobs and exhaustion and no new TV…) to share this image I saw today. Made me chuckle but it’s also true. As a TV structure junkie who is trying to write specs, this is both funny and useful because you can see how broad structure is across different genres.
New and burgeoning TV genres should get new Emmy categories. Here are three Emmy categories I think we need and some shows to nominate in them. What are your Emmy genre picks and what shows do you submit? #Emmys
Who are the people who vote for Emmy awards? Because who in their right mind sees Tatiana Maslany pull of five different roles and not give her an award for it? Seems to me the Emmy voter committee might need a diversity upgrade, like every other prestigious institution.
Fox Pulls Plug on ‘Hieroglyph’ – Hollywood Reporter
Oh no! FOX cancels Hieroglyph before it’s fall debut! I was looking forward to checking this out, due to the diverse casting (though had qualms about it after learning the true lead was another white male), but looks like I won’t be checking it out after all.
The article mentions Kevin Reilly, entertainment chairman of FOX, and his initial decision to “end pilot season” before stepping down only a few weeks ago. I suppose only he was ready to revamp the way we greenlight shows, since this show is being cut. THR states some creative differences, but it makes me wonder if other shows from the Reilly era are safe before fall…
I could just stare at that promo poster featuring Condola Rashad all day; perhaps I’ll make a poster in memoriam of this series that was truly nipped in the bud.
That, friends, is why it is important that FX is premiering a new drama on Tuesday night in which the main character is an assimilated Middle Eastern man who leaves behind his life in the West and returns to the fictional nation ruled by his family.At least as a log-line, the part of Bassam “Barry” Al-Fayeed in FX’s “Tyrant” may not be unprecedented, but it represents a big enough deviation from the Hollywood norm and from the mainstream TV norm that it’s notable and worth discussion. And that’s why it’s not an insignificant problem that this role, this trailblazing step in Middle Eastern representation is being played by Adam Rayner, an English-born actor who is half-British, half-American and not Middle Eastern in the slightest.
[…] In “Tyrant,” Al-Fayeed’s mother is, indeed, played by Alice Krige. That the potentate of a fictional Middle Eastern country was married to a white woman and had multiple children with her seems like something at least semi-worthy of discussion to me, but it’s never addressed in the first four episodes of “Tyrant.” Her mere presence is mostly an excuse for allowing Adam Rayner to play Bassam Al-Fayeed, as if casting an actor with no Middle Eastern heritage in TV’s only top-of-the-call-sheet Middle Eastern role would be bad, but casting an actor with no Middle Eastern heritage in TV’s only top-of-the-call-sheet *half* Middle Eastern role is totally halal.
#sigh Even when roles are written for diverse characters, they find a way to make it acceptable to cast white instead of searching for someone with a more ethnic background.
Welcome Larry Wilmore to the Late Night bunch! I'll definitely be watching his show, The Minority Report--a cliched but perfect title for both what it is and before what's it's replacing.With Larry Wilmore's role as "Senior Black Correspondent" on the Daily Show, we already have an idea of what the show will entail, but it also means (hopefully) more black late night writers and more discussions of black issues that the Daily Show doesn't cover.
Revisiting the classic variety show format, The Maya Rudolph Show will feature guest stars Craig Robinson, Andy Samberg, Kristen Bell, Fred Armisen, Chris Parnell, Sean Hayes, Diallo Riddle, Bashir Salahuddin, and others.
Grammy Award-nominated singer-songwriter Janelle Monae will serve as the musical guest. R&b singer-producer Raphael Saadiq will be the bandleader.
via Maya Rudolph Talks Being Able To Do Whatever She Wants On Her New Show (Video Interview)|Shadow and Act.
This, I am excited for. I didn’t watch Maya too much on SNL (most of my favorite former SNL stars, I never actually watched them while they were on it… weird), but I did watch her on short-lived sitcom Up All Night. On Monday she gets her own variety shows, which might be a primetime mix of SNL type sketches, musical numbers (Maya has sung on SNL and is daughter of singer Minnie Riperton), and musical performances. Having Janelle Monae on her first episode proves to be an awesome move right out the gate, as well as getting Raphael Saadiq to be bandleader. I think this will bring a fun R&B flavor to the show–much like Jimmy Fallon’s decision to have the Roots as his houseband.
Hopefully the show does well, so that we can 1. have more Maya Rudolph 2. Have more lady comedians on TV 3. Have more black female comedians on TV. Tune in Monday at 10pm on NBC. Hopefully the hashtag will be #MayaMondays because it’s pretty perfect.
Let’s start network-wide. Fox and NBC swapped for me in the past year, NBC going from a favorite, most watched network, to me having one show next season (the mid-season, finale season Parks debacle…). While FOX went from me abandoning several of it’s shows due to reordering episodes and demanding stasis in characters that achieved character development to the network I have the most shows I am interested in this fall. And FOX pulled me in with the commitment and success in diversity. So let’s talk about what they’re doing this fall.
NBC– honey, what are you doing? They’ve cancelled most of their comedies, leaving Parks and Recreation, their current longest running sitcom as a mid-season replacement in it’s finale season. According to the schedule listed in the link on Vulture, there are only 4 comedies on the schedule, split between Tuesday and Thursday 9-10 comedy hours. What? Has NBC given up on reclaiming it’s must-see-tv fame? I suppose it wasn’t working, but it kills me that not one of the four comedies is Parks. What a way to alienate your little comedy fanbase. Why not use Parks and the final season momentum to pull your existing fans over to new shows? You now have to do the work to get non-NBC comedy watchers (those who didn’t watch 30 Rock and Community and Parks in the hey-day of low-rated but cult favorite comedies). I suppose they no longer want those fans. They want new ones entirely. Or they’re trying to sustain the network on the Voice, Dick Wolf, and the Blacklist until they figure out something that works. But, to me, it doesn’t seem like they’ve found the formula yet. I’ll see you mid-season, NBC, when you put Parks and Recreation back on the schedule. (Let’s face it, it’s a cancelled-new-show replacement. As soon as one of the new comedies fail, they’ll stick Parks in the 9pm comedy spot until the rest of the season is done. More on Parks later.
FOX, homie, you’re doing a lot of things right, but one thing feels very wrong. I will be watching seven FOX shows this fall. That’s more than any other network and more than I’ve ever watched FOX. They’ve been getting some good, diversely cast comedies in these past couple of seasons. New Girl confirmed Damon Wayans Jr as the 6th member of the cast, rounding them out to Friends proportions, The Mindy Project had a strong finale with lots of possibility, and Brooklyn 99 came out of the gate with comedy, diversity, and heart. So why are they sending Brooklyn 99 to the Sunday animation slot?! It seems ridiculous to me. Vulture says,
There’s logic behind this year’s changes: Family Guy is pretty much a multi-camera sitcom that happens to be animated, and Mulaney is multi-cam; Brooklyn is sophisticated single-cam that could mesh with the sensibility of The Simpsons. And once Fox picked up both Brooklynand The Mindy Project, it was obvious one would either move or wait until midseason: Fox simply doesn’t have the comedy strength to support a two-hour sitcom block on Tuesdays.
But that seems absurd. I definitely think they could sustain it. But even if it can’t, splitting the comedies into the animation block disturbs something that’s been working on FOX for years now. Animation fans won’t necessarily hold up these fresh comedies and when was the last time comedies aired on a Sunday night?! This makes me nervous for both BK99 and Mulaney (which I may watch), because they’re basically hiding it in the schedule. No one looks for comedies on Sunday nights. That’s typically a Feature film, Sports, Drama night. FOX made success with animation as alternative programming to this trend, but this upcoming change might break both the animation block and the comedies they want to succeed. Sigh. There are few shows I want to succeed more than Brooklyn 99. I hope they just suck it up and block the comedies together.
Schedules change, often by November sweeps when networks figure out what’s working and what’s getting cancelled. So we’ll see if this remains the schedule for the fall. But both networks are boggling my mind.
It’s that time of the year, Upfronts (also here for another way to look at what Upfronts actually are), when networks present their pilot season shows and lineups to advertisers and the general public. I’ve been a bit busy or lethargic the last month or so, so I haven’t been posting (though I’ve been pleasantly surprised at the views I’ve still managed to get) but get ready for a deluge as I look at shows coming this summer, fall, and beyond, and discuss current shows’ trajectories (I’m a bit mad about NBC’s treatment of Parks and Recreation. We’ll get there).
I’ll write a bunch and try to spread them out over the week as to not spam. Also, I’ll post my current fall tv chart–it’s looking as busy as usual as I find out about all these new shows!
Let the Upfront madness begin!
“Sometimes I get jealous of white male showrunners when 90 percent of their questions are about characters, story structure, creative inspiration, or, hell, even the business of getting a show on the air. “